Fanny Howe Quotes
My novels are about a generation of Americans who lived between 1940 and 2000, who resisted the postwar political and cultural forces by choosing a wandering life of impoverishment and wonder. Inevitably, race and economics are a big part of their stories. Childhood, childishness, and children are never far.
Quotes to Explore
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In my opinion - in Georgia, there's a town called Lula. And Lula, Georgia, has the best peaches.
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The purpose of armed struggle is not simply to kill... its purpose is to reach a political goal.
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To me, a critic is some loser who has no idea... someone with an opinion. We all have opinions. No offense, but what makes them dictate what is cool and what is not.
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Our party never tolerated those who use violence for political ends. Our leaders lost their lives standing against terrorism.
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I'm the kind of person whose clothes are all hung up and color-coordinated, to the point where my whites don't touch my creams.
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America is another name for opportunity.
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I get the feeling that people from outside the world of contemporary art see it as deserving of mockery, in an emperor's-new-clothes sort of way. I think that's not right and that it's just because they don't understand the discourse.
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I've been very fortunate in my collaborators throughout my career.
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It's hard for people sometimes to relate to me. They weren't in the military, they weren't injured overseas in Iraq, they weren't burned, they didn't go through 33 surgeries, or two and a half years in the hospital.
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I'm happy with the coach we have. I think any one of the ones I asked them to consider would've been good.
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I love being a father. It's one of my big jobs is just being a parent. It's one of my favorite things I do.
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I fell in love, not deep, but I fell several times and then fell out.
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When you're in the music business, everything is very personal, because you are invested in everything; there's a very deep, personal attachment to your music.
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By the time I was ten, everyone knew I wanted to be a producer. I was a very precocious little boy.
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Football games on Friday nights followed by field parties every weekend was how I spent my high school years.
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It's true that immigrant novels have to do with people going from one country to another, but there isn't a single novel that doesn't travel from one place to another, emotionally or locally.
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I don't like family stories forcefully mixed with commercial elements.
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You measure a democracy by the freedom it gives its dissidents, not the freedom it gives its assimilated conformists.
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Public hangings are teaching moments. Every company has to do it. A teaching moment is worth a thousand CEO speeches. CEOs can talk and blab each day about culture, but the employees all know who the jerks are. They could name the jerks for you. It's just cultural. People just don't want to do it.
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I can do everything with ease on the stage, whereas in real life I feel too big and clumsy. So I didn't choose acting. It chose me.
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I think it's like, you know, you can't get ahead of yourself, because no amount of success or exposure or opportunity is going to really matter or be ultimately fulfilling unless you can be totally present in what you're doing right now.
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I exercise about 40 minutes a day, and I'll run one day and do circuit training the next day. I live in an area where there are brilliant hills and mountains, so I get a good hill run with my dog. At home, I'll do the circuit training with old weights, along with pull-ups in the trees and that sort of stuff.
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My novels are about a generation of Americans who lived between 1940 and 2000, who resisted the postwar political and cultural forces by choosing a wandering life of impoverishment and wonder. Inevitably, race and economics are a big part of their stories. Childhood, childishness, and children are never far.
