Bryan Q. Miller Quotes
Quotes to Explore
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I love films that show people in a way that's so real it's almost unsettling, and that's what really inspires me because I write about people. I write about people that I know, so I want to portray them and portray myself in a way that is unapologetic.
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Contemporary art will help me to modernise our society.
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The most overrated tool: a pasta maker. Why make it when you can buy it? It's a lot of work!
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My mom will make me walk the dogs or take out the trash when I go home.
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Beyonce is very special. I think the super-pop thing that supposedly died with Michael Jackson is still there with her.
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I don't put a ton of time into my on-stage style, largely because I'm dumb about clothes. But I have friends who are very smart about clothes, and they teach me things. For the show, I'm mainly concerned with feeling comfortable, being able to jump around and get wild.
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Just as invasion is the true and tried weapon in the hands of capital against the class struggle, so on the other hand the fearless pursuit of the class struggle has always proven the most effective preventative of foreign invasions.
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We have most of the software industry running Autonomy.
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You should be appeasing people as much as possible, not stigmatising them. The ban of the burkini puts into question people's individual freedoms.
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Fashion is so mass-produced now; I hope there will come a refocus on how people see couture. And I would also hope for a new focus on the craft.
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I definitely enjoy my time by myself - and that's kind of the weird thing about touring; you're kind of constantly surrounded by people - but I actually do enjoy going out and doing things and being around people.
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My all-time low is 62 at Bel-Air, but it was in match play, and I had two putts given to me from four feet. I'm playing only about once or twice a month. Full-time job. Full-time father. Full-time blonde.
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You have to be really open to your acting partners and believe in the story.
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My dream is to see India as a nation of well-looked-after and respected sportspeople in all fields.
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'The Quiet Ones' was my first film, let alone my first horror film, and I had so much fun. I had such a laugh, every single day. I look like such a feral child in it.
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One day, I saw a statue of Benjamin Franklin, and I said to myself, 'I can do that kind of work, too.'
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I've been recording forever. I'm a watcher. I'm a stalker. I love everything about people. It's always been a passion for me to observe.
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Summer was gone and now Indian summer. The grass was cold and there was no mist and no dew. After he left she would go in and light the gas and close the shatters, and he would go down the path and on to the village. To these two life had come quickly and gone, leaving not bitterness, but pity; not disillusion, but only pain.
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You can always tell when gas is expensive. You always see street gangs doing walk-bys.
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Some days you must learn a great deal. But you should also have days when you allow what is already in you to swell up and touch everything. If you never let that happen, then you just accumulate facts, and they begin to rattle around inside of you.
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I was a child when I first saw 'Vertigo,' and it was very disturbing because I didn't really understand what was going on.
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Of course I danced a lot when I was making 'Swingers.' The swing music scene was big in Hollywood, and I went to places like The Derby. And, after I wrote it and was trying to get it made, I would go every week so I'd be good at dancing.
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The Polo Lounge is like a fine old mink coat: opulent, dignified and warm.
