Seamus Heaney Quotes
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Hope is not optimism, which expects things to turn out well, but something rooted in the conviction that there is good worth working for.
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Write whatever you like!
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If poetry and the arts do anything, they can fortify your inner life, your inwardness.
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The poems I did write there in Harvard include Alphabets the 1984 Phi Beta Kappa poem and A Sofa in the Forties. And, of course, the John Harvard poem for the 350th anniversary Villanelle for an Anniversary.
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I can't think of a case where poems changed the world, but what they do is they change people's understanding of what's going on in the world.
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So hope for a great sea-change on the far side of revenge. Believe that further shore is reachable from here. Believe in miracles and cures and healing wells.
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Two buckets were easier carried than one. I grew up in between.
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In off the moors, down through the mist beams, god-cursed Grendel came greedily loping.
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I am not a playwright. A playwright would take "Antigone" and hit it a few clouts and knock it out of shape and restructure it. My versioning was strictly verbal.
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Memory has always been fundamental for me. In fact, remembering what I had forgotten is the way most of the poems get started.
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The dotted line my father's ashplant made On Sandymount Strand Is something else the tide won't wash away.
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I might enjoy being an albatross, being able to glide for days and daydream for hundreds of miles along the thermals. And then being able to hang like an affliction round some people's necks.
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The gift of writing is to be self-forgetful... to get a surge of inner life or inner supply or unexpected sense of empowerment, to be afloat, to be out of yourself.
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Allow ourselves to do as Ram Dass said in his delicious phrase "Be Here Now." If you are here now you cannot fall into falsely constructed gender projections.
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Harvard meant a lot in my writing life from the beginning, even though I didnt actually do much composition on the spot.
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My point is there's a hidden Scotland in anyone who speaks the Northern Ireland speech. It's a terrific complicating factor, not just in Northern Ireland, but Ireland generally.
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As writers and readers, as sinners and citizens, our realism and our aesthetic sense make us wary of crediting the positive note.
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The most exhilarating for the writer and the reader, are gift-things-poems which arrive on their own energy, poems that in William Shakespeare's term "slip" from you.
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Desmond O'Grady is one of the senior figures in Irish Literary life, exemplary in the way he has committed himself over the decades to the vocation of poetry and has lived selflessly for the art
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Nowadays, what an award gives is a sense of solidarity with the poetry guild, as it were: sustenance coming from the assent of your peers on the judging panel.
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The bogholes might be Atlantic seepage. The wet centre is bottomless.
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If you have the words, there's always a chance that you'll find the way.
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Irish readers, British readers, American readers: is it odd that I haven't a clue about how differently they react? Or better say, I cannot find the words to describe my hunch about them.
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Now it’s high watermark and floodtide in the heart and time to go. The sea-nymphs in the spray will be the chorus now. What’s left to say? Suspect too much sweet-talk but never close your mind. It was a fortunate wind that blew me here. I leave half-ready to believe that a crippled trust might walk and the half-true rhyme is love.