Seamus Heaney Quotes
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It has as much to do with the energy released by linguistic fission and fusion, with the buoyancy generated by cadence and tone and rhyme and stanza, as it has to do with the poem's concerns or the poet's truthfulness.
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Anyone with gumption and a sharp mind will take the measure of two things: what's said and what's done.
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Once off the bush The fruit fermented, the sweet flesh would turn sour. I always felt like crying. It wasn't fair That all the lovely canfuls smelt of rot. Each year I hoped they'd keep, knew they would not. -Blackberry picking
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Hope for a great sea-change timid to rebuke and too petty to forgive.
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It is difficult at times to repress the thought that history is about as instructive as an abattoir; that Tacitus was right and that peace is merely the desolation left behind after the decisive operations of merciless power.
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I have always thought of poems as stepping stones in one's own sense of oneself. Every now and again, you write a poem that gives you self-respect and steadies your going a little bit farther out in the stream. At the same time, you have to conjure the next stepping stone because the stream, we hope, keeps flowing.
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Loyalism, or Unionism, or Protestantism, or whatever you want to call it, in Northern Ireland - it operates not as a class system, but a caste system.
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The completely solitary self: that's where poetry comes from, and it gets isolated by crisis, and those crises are often very intimate also.
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I shall gain glory or die.
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Behaviour that's admired is the path to power among people everywhere.
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Even if the last move did not succeed, the inner command says move again.
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Whether it be a matter of personal relations within a marriage or political initiatives within a peace process, there is no sure-fire do-it-yourself kit.
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On the contrary, a trust in the staying power and travel-worthiness of such good should encourage us to credit the possibility of a world where respect for the validity of every tradition will issue in the creation and maintenance of a salubrious political space.
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Wherever that man went, he went gratefully.
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The next move is always the test.
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Between my finger and my thumb The squat pen rests; snug as a gun.
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If self is a location, so is love: Bearings taken, markings, cardinal points, Options, obstinacies, dug heels, and distance, Here and there and now and then, a stance.
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Debate doesn’t really change things. It gets you bogged in deeper. If you can address or reopen the subject with something new, something from a different angle, then there is some hope. ... People are suddenly gazing at something else and pausing for a moment. And for the duration of that gaze and pause, they are like reflectors of the totality of their own knowledge and/or ignorance. That’s something poetry can do for you, it can entrance you for a moment above the pool of your own consciousness and your own possibilities.
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The thing about writing is that if you have the impulse, you will find the time.
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I suppose I'm saying that defiance is actually part of the lyric job
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All I know is a door into the dark
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I've always associated the moment of writing with a moment of lift, of joy, of unexpected reward.
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One of the very first poems I wrote was Docker That fist would drop a hammer on a Catholic and one of the sturdiest was Requiem for the Croppies, written 50 years after 1916 the year of the Easter Rising. Being responsible and what it means, what it demands, have indeed preoccupied me maybe too much. But this is it, this is the thing, this is what you're up against.
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Once I was on the job, once I had got started, I felt safe enough, but the anticipation made me tense.