Seamus Heaney Quotes
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But that citizen's perception was also at one with the truth in recognizing that the very brutality of the means by which the IRA were pursuing change was destructive of the trust upon which new possibilities would have to be based.
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Don't be surprised if I demur, for, be advised my passport's green.
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My teaching was animated by what I was reading and being excited by as a poet.
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Even though Helen Vendler wasn't on the Harvard faculty when I came first in 1979, she was a guardian spirit; Robert Fitzgerald gave me the use of his study in Pusey Library. Monroe and Brenda Engel kept open house, Bob and Jana Kiely made me at home in Adams House. Then, too, in 1979, Frank Bidart, whom Id met in Dublin after the death of Robert Lowell he was over seeing Caroline Blackwood Frank brought me into his circle of friends, including Robert Pinsky and Alan Williamson.
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Getting started, keeping going, getting started again - in art and in life, it seems to me this is the essential rhythm not only of achievement but of survival, the ground of convinced action, the basis of self-esteem and the guarantee of credibility in your lives, credibility to yourselves as well as to others.
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A public expectation, it has to be said, not of poetry as such but of political positions variously approvable by mutually disapproving groups.
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Anything Can Happen is also, incidentally, a poem that arose from teaching. I'd talked about the Horace Ode on which the poem is based in a lecture I gave at Harvard in the fall of 2000 entitled Bright Boltsand remembered it after the Twin Towers attack.
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The aim of poetry and the poet is finally to be of service, to ply the effort of the individual into the larger work of the community as a whole.
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Without needing to be theoretically instructed, consciousness quickly realizes that it is the site of variously contending discourses.
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Then as the years went on and my listening became more deliberate, I would climb up on an arm of our big sofa to get my ear closer to the wireless speaker.
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I drink to keep body and soul apart.
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Poetry is language in orbit.
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I felt implicated in American affairs.Outraged at the blatant lies about Iraqs involvement in al Qaeda, at the regimes arrogance and stupidity, Guantnamo Bay and all the rest of it. But the poems at the start of District and Circle Anahorish 1944, The Aerodromearent particularly aimed as criticism. On the contrary, there's a recognition of the big contribution to world order made in Europe during World War II.
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My body was braille for the creeping influences.
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Anything Can Happen, on the other hand, is not only about the atrociousness of the September 11 attack, it is also a premonition of the deadly retaliation that was bound to come.
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When I first encountered the name of the city of Stockholm, I little thought that I would ever visit it, never mind end up being welcomed to it as a guest of the Swedish Academy and the Nobel Foundation.
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I've nothing against the Queen personally: I had lunch at the Palace once upon a time.
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The gift of writing is to be self-forgetful...
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In fact, in lyric poetry, truthfulness becomes recognizable as a ring of truth within the medium itself.
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Suspect too much sweet talk but never close your mind.
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Hope for a great sea-change timid to rebuke and too petty to forgive.
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Once off the bush The fruit fermented, the sweet flesh would turn sour. I always felt like crying. It wasn't fair That all the lovely canfuls smelt of rot. Each year I hoped they'd keep, knew they would not. -Blackberry picking
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Best to say that once a poem is finished I trust it to make its way, and I trust readers will find their way to it and through it, if the thing has got itself rightly expressed.
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It has as much to do with the energy released by linguistic fission and fusion, with the buoyancy generated by cadence and tone and rhyme and stanza, as it has to do with the poem's concerns or the poet's truthfulness.