Seamus Heaney Quotes
Quotes to Explore
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For awhile after you quit Keats all other poetry seems to be only whistling or humming.
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I think that one possible definition of our modern culture is that it is one in which nine-tenths of our intellectuals can't read any poetry.
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Do-gooders are easily overlooked. We're supposed to be soft, touchy-feely types, who wear Birkenstocks, compost everything, and write poetry by candlelight.
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If I'm feeling desperate, I'll go out image-hunting. I'll go to news agents and stand at the rack flicking through magazines or go to second-hand bookshops. And then, bit by bit, like concrete poetry, I start to realise that I am drawn to particular things, and then I start wondering why that is.
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If your daily life seems poor, do not blame it; blame yourself that you are not poet enough to call forth its riches; for the Creator, there is no poverty.
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I love the simple poetry of theater, where you can stand in a spotlight on a stage and wrap a coat around you, and say, 'It was 1860 and it was winter...'
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I enjoy listening to contemporary rock on the college stations while I'm taking long walks, love gospel and soul music, am fascinated by hip-hop and rap as the new kind of urban 'beat' poetry and, come to think of it, find something interesting about just any kind of music.
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One has only as much morality as one has philosophy and poetry.
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Genuine poetry can communicate before it is understood.
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I love Sufism as I love beautiful poetry, but it is not the answer. Sufism is like a mirage in the desert. It says to you, come and sit, relax and enjoy yourself for a while.
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Poetry had far better imply things than preach them directly... in the open pulpit her voice grows hoarse and fails.
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The poetry I grew up on is really an intense form of poetry; it's so pure and powerful.
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The Victorian language of flowers began with the publication of 'Le Language des Fleurs,' written by Charlotte de Latour and printed in Paris in 1819. To create the book - which was a list of flowers and their meanings - de Latour gathered references to flower symbolism throughout poetry, ancient mythology, and even medicine.
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When the poet is in love, he is incapable of writing poetry on love. He has to write when he remembers that he was in love.
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Those books of mine that are remunerative - I'm not talking about poetry here - take years to write, and I am never sure they'll be successful. So writing is a risk in more senses than one.
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Poetry teaches the enormous force of a few words, and, in proportion to the inspiration, checks loquacity.
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No verse is free for the man who wants to do a good job....Poetry..remains one person talking to another....no poet can write a poem of amplitude unless he is the master of the prosaic.
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Asking science to explain life and vital matters is equivalent to asking a grammarian to explain poetry.
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From another side: is Achilles possible with powder and lead? Or the Iliad with the printing press, not to mention the printing machine? Do not the song and saga of the muse necessarily come to an end with the printer's bar, hence do not the necessary conditions of epic poetry vanish?
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Granted, I'm someone who loves words. I've always loved poetry - so it's suited to me.
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I had the desire to paint the figure without actually painting the figure.
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It may be that the impressions of her infancy are caught somehow in the pulp of her eyes, luring her. Or there may be some hooked structure in her cells that twist her toward all that the world calls freakish.
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Poetry is language in orbit.
