James Edward Olliges Jr. (Jim James) Quotes
While I'm working on something, every single part of me is in it. But then, once it's done, I leave that place behind. I usually don't like to revisit it. So it's almost like listening to a different person.
Quotes to Explore
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I don't carry myself as a black person but as a woman that belongs to everybody. After all, it's the general public that made me - not any one particular group. So I don't think of myself as belonging to any particular group and never have.
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It is important to be well read, at least a little bit.
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In a democracy, allegations will never improve situations. So, I'm against allegations, but I always welcome criticism.
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I was thinking about the women of Pakistan, those who are not allowed to get education, those who are not allowed to do whatever they want to do in their life. I hope that the families will understand that the contribution of women is important and can be more powerful for building a greater country.
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I was amazed at how the life of a freelancer differed from running a remote studio for another company. I thought I knew what I was doing in 2004 when I left Eidos because I had run Ion Storm Austin, which was my own independent studio. I had run a business unit inside Origin, but being part of a startup is crazy.
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I was a breakdancer as a kid. I was on one of the top break dancing teams in Australia.
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I'm not a sun person.
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The whole borrowing clothes thing is very unnatural for me. I don't feel comfortable with that. If you like something, I'd just give it to you rather than sharing it.
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I don't work out and be healthy and want a strong body because I want to look good in a bikini. I do all of those things for me and for my health. I'm not going on the cover of 'Maxim' and 'FHM' because that's not me.
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I grew up around old stuff that was not necessarily valuable, but certainly unusual.
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I want to have an impact on my son.
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These movies are like my kids. I just love them to death. Some of them go to Harvard and some of them can barely graduate high school.
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I want to pick good projects, I want to work with great directors and try not to put too much pressure on myself and just read things for the story and recognize when I'm drawn to something for the right reasons and try to maintain some sanity. Sanity would be good. I'd like to have a little sanity!
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Allah will help him who moves in the way of Allah.
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My dad was my first coach and drove me extremely hard from a very young age.
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We did a lot of those road trips, all the mandatory stuff that you should when you're a kid, like Mount Rushmore and the Grand Canyon and the Sequoias and the western coast.
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I've been training quite hard.
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We don't have enough young, female antiheroes. We don't accept women as antiheroes the way we do the men.
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It's not enough to tell people to be creative; they need to know how, and what to create.
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Oh! The good times when we were so unhappy.
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I think that people can have their hand in as many different things as they want. You've just got to put your mind to it and just do it.
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Once you get into a feature, whether it's a sequel or an original one, you have to start all over again, and you're creating a world, creating new characters. You're also tracking emotions. You're trying to create emotion and create a character that you can fall in love with for two hours.
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In 'Swimming Pool,' all the colors are very warm, sunny, the pool and all that. In 'Love Crime,' everything is so cold, and it's all inside skyscrapers.
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While I'm working on something, every single part of me is in it. But then, once it's done, I leave that place behind. I usually don't like to revisit it. So it's almost like listening to a different person.
