James Edward Olliges Jr. (Jim James) Quotes
While I'm working on something, every single part of me is in it. But then, once it's done, I leave that place behind. I usually don't like to revisit it. So it's almost like listening to a different person.
Quotes to Explore
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I don't carry myself as a black person but as a woman that belongs to everybody. After all, it's the general public that made me - not any one particular group. So I don't think of myself as belonging to any particular group and never have.
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It is important to be well read, at least a little bit.
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In a democracy, allegations will never improve situations. So, I'm against allegations, but I always welcome criticism.
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I was thinking about the women of Pakistan, those who are not allowed to get education, those who are not allowed to do whatever they want to do in their life. I hope that the families will understand that the contribution of women is important and can be more powerful for building a greater country.
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I was amazed at how the life of a freelancer differed from running a remote studio for another company. I thought I knew what I was doing in 2004 when I left Eidos because I had run Ion Storm Austin, which was my own independent studio. I had run a business unit inside Origin, but being part of a startup is crazy.
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I was a breakdancer as a kid. I was on one of the top break dancing teams in Australia.
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I'm not a sun person.
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The whole borrowing clothes thing is very unnatural for me. I don't feel comfortable with that. If you like something, I'd just give it to you rather than sharing it.
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I don't work out and be healthy and want a strong body because I want to look good in a bikini. I do all of those things for me and for my health. I'm not going on the cover of 'Maxim' and 'FHM' because that's not me.
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I grew up around old stuff that was not necessarily valuable, but certainly unusual.
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I want to have an impact on my son.
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These movies are like my kids. I just love them to death. Some of them go to Harvard and some of them can barely graduate high school.
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I want to pick good projects, I want to work with great directors and try not to put too much pressure on myself and just read things for the story and recognize when I'm drawn to something for the right reasons and try to maintain some sanity. Sanity would be good. I'd like to have a little sanity!
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Allah will help him who moves in the way of Allah.
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My dad was my first coach and drove me extremely hard from a very young age.
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We did a lot of those road trips, all the mandatory stuff that you should when you're a kid, like Mount Rushmore and the Grand Canyon and the Sequoias and the western coast.
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I've been training quite hard.
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We don't have enough young, female antiheroes. We don't accept women as antiheroes the way we do the men.
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I won it, at least five million times. Men who were stronger, bigger and faster than I was could have done it, but they never picked up a pole, and never made the feeble effort to pick their legs off the ground and get over the bar.
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We, the Poles, do not understand war as a symbol but as a real fight.
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Go is one of my favorite things that I ever did. Not that I critique myself, but sometimes I'll be passing by the television, and I'll say, "Meh, maybe I would have done that a little different." I can't help [but] do that. But Go was one of those things - I really loved working with Doug Liman. Detective Burke in Go is one of those roles that's about everything I like to do. I love parts like that. And Go seems to be the thing that rolled it all into one.
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Being in the Navy, when I came home, it changed your whole life. You're 18, you go away for two and a half years, you come home - boy, you're a different person.
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While I'm working on something, every single part of me is in it. But then, once it's done, I leave that place behind. I usually don't like to revisit it. So it's almost like listening to a different person.
