James Edward Olliges Jr. (Jim James) Quotes
That's the bulk of my lyrical output - being confused and trying to find answers to my confusion.
Quotes to Explore
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I think comedy has evolved like every art form, and people probably do less standing around and telling jokes, and more things that have to do with reality.
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The only power you have is the word no.
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I was in a commercial for the Disney channel. I was the camp leader for the campers.
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It's time to bring a change because the world is changing. Let's open our minds and live in present.
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Somebody once told me I shouldn't try to change Hollywood. That isn't my point at all. I don't want Hollywood to change me.
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I had moved across the country, taken internships, networked, worked long hours, and called in favors to get there. And I had done it. I was working in Hollywood. So imagine the melancholy I found myself in when I realized that I didn't love casting the way that I always thought I would.
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Humans have 3 percent human error, and a lot of companies can't afford to be wrong 3 percent of the time anymore, so we close that 3 percent gap with some of the technologies. The AI we've developed doesn't make mistakes.
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Yeah, I'm from Jersey; it's almost like I was automatically born a Nets fan.
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I would love the opportunity to create my own program. I feel like a TV show with a format of monologue with lots of sketches thrown in could be really fun. But you know, that may never happen. Minimally, I just want to keep making stand-up.
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A liberal public is interesting to have as an audience. It is for that very reason that corporations make such an effort to ally themselves with cultural institutions.
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The problem is not simply that the Singularity represents the passing of humankind from center stage, but that it contradicts our most deeply held notions of being.
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We all understand it's a privilege just to be playing in this league.
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To be successful in struggle requires remembrance of the Creator and the doing of good deeds. This is important because successful struggle demands that there be a kind of social consciousness.
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It seemed like most of the memories faded before they had time to form. And after a while, my life with my father seemed like a familiar story or a distant dream.
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If you're overfishing at the top of the food chain, and acidifying the ocean at the bottom, you're creating a squeeze that could conceivably collapse the whole system.
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I need to have something else going on. I'm able to write a lot if I have an episode of 'Friday Night Lights' going on my computer.
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You don't have to find out what someone's mechanical abilities are. All those factors are already a known commodity. I've seen teams win championships and have their entire team quit the next day because they weren't happy.
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When I wrote my eighth thriller, 'Inside Out,' in 2009, the villains were a group of CIA and other government officials who colluded to destroy a series of tapes depicting Americans torturing war-on-terror prisoners.
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The real problem has far less to do with what is really out there than it does with our resistance to finding out what is really out there.
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I know that my tendency is to be linear, and I'm trying to find ways to subvert that. And so in 'Bellocq's Ophelia' my device for subverting it was to tell the story and then to tell it again; it always circles back to this one moment, and it's not linear, but it's round in that way, and much of 'Native Guard' is like that.
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I've always loved groups like U2 and Coldplay.
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The first year we actually did a lot of night shooting and the writers weren't even allowed on location.
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All kinds of gambling, from bingo to baccarat, are benign entertainment for most people, dangerously addictive to a few, and capable of breeding unwanted side effects for society.
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That's the bulk of my lyrical output - being confused and trying to find answers to my confusion.
