Jim Jarmusch Quotes
I wanted to make an Indian character who wasn't either a) the savage that must be eliminated, the force of nature that's blocking the way for industrial progress, or b) the noble innocent that knows all and is another cliche. I wanted him to be a complicated human being.
Quotes to Explore
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I think there's something very dark in the South African psyche. I think we live a lot of the time in a state of a very low-grade civil war; the levels of violence in South Africa are extremely high. In a way, the civil war that never happened is being played out in a covert way, so we live with a lot of very ugly things.
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I eat lots of vegetables and green juices.
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I think some people think I'm, like, anti-label, and I'm not. I just wanted to sign a deal when the time was right. I'm anti being shot out of a rocket when you're not ready and the songs and image aren't there.
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As an actor there's a lot of scrutiny and, even when you've had success, it becomes about sustaining that success. A friend of mine described it as a peakless mountain. Even for De Niro there's Pacino and for Pacino there's De Niro.
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Any time Khaled comes to your video, it just steps it up that much more. He's so fun; people love him.
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In Los Angeles, I'm always in Fred Segal. It's become a ritual. I have lunch and then buy lots of things I don't need. Usually tons of clothes for the kids that they grow out of in 10 seconds.
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The Law of Triviality... briefly stated, it means that the time spent on any item of the agenda will be in inverse proportion to the sum involved.
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People are wired for lots of things. We're wired for novelty. We're wired for humor. We're wired for new pieces of information that surprise us in some way or add value to our lives. We're wired for fear.
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Choreography and creativity - it's my matrix; let's see where we can move.
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The pace of innovation may slow down or speed up depending on the appetite in the public markets, but the constant progress of technology doesn't really ever stop. There's always opportunities for new ideas and creative people to go build great things. I'm always interested in learning about those kinds of opportunities.
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I did every job under the sun from bartending to ushering to temping.
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Our country does not believe in the concept of your God and my God. We believe that all gods are one. We have different ways of accepting Him. All ways lead to Him.
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I'm not the girl next door.
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All of us grow.
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Everything in life has a price on it - there ain't a damn thing free in America, and football has got a price on it.
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I make big objects that are simple, bright and clear, kind of ironic but hopefully funny because I love the shapes, and I get inspiration from toys and books, and I believe in art for everyone.
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I think it'd be great if the evening news broadcast, for instance, were unsponsored and unrated.
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My personal experience has been that in my 25 years of writing, I have not been asked to do more than four or five commercial one-shot scripts. These were performed on major national hook-ups but produced for me no immediate additional jobs or requests. One script for BBC was done around the world with an all-star cast.
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If you're always under the pressure of real identity, I think that is somewhat of a burden.
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A novel can do something that films and TV usually can't - a glimpse inside the characters' heads. I write very tight third person point of view, so the reader is right behind the eyes of each character, seeing what they see and feeling what they feel.
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If you stick a knife in my back nine inches and pull it out six inches, there's no progress. If you pull it all the way out that's not progress. Progress is healing the wound that the blow made. And they haven't even pulled the knife out much less heal the wound. They won't even admit the knife is there.
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There is such a thing as the poetry of a mistake, and when you say, "Mistakes were made," you deprive an action of its poetry, and you sound like a weasel.
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I wanted to make an Indian character who wasn't either a) the savage that must be eliminated, the force of nature that's blocking the way for industrial progress, or b) the noble innocent that knows all and is another cliche. I wanted him to be a complicated human being.
