Jim Lee Quotes
Quotes to Explore
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I approach these people from a standpoint of love. How were they loved? How do they love? What's going on in their heart? There's that that I think about with every role.
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As for advice for aspiring authors, the best I can give is to be brave. It sounds like a simple enough thing, but it's not. Rejection is such an integral part of this journey, and it never goes away.
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I don't regret doing any of my films. All of them have been great learning experiences, and they have contributed to making me what I am today.
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The director had come to Madrid to court me.
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There is no chance and anarchy in the universe. All is system and gradation. Every god is there sitting in his sphere.
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When people go through something rough in life, they say, 'I'm taking it one day at a time.' Yes, so is everybody. Because that's how time works.
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Today is life-the only life you are sure of. Make the most of today. Get interested in something. Shake yourself awake. Develop a hobby. Let the winds of enthusiasm sweep through you. Live today with gusto.
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Winning a gold medal is not easy but I believed in myself, especially over the last four years.
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I don't want to make games for 12-year-olds. I have no interest in that. I haven't been 12 in a long time.
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Unlike fashion, art isn't applied. It doesn't have to serve anybody. It doesn't have to be there for any other reason than to give an impression of what the world is about.
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William Shatner has one style. We have completely contrasting personalities. We're very good friends. I adore him, but we're very different people, so they were smart enough to write characters that reflected that.
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I write and rewrite and rewrite and write and like to turn in what I think is finished work.
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I believe there is little to gain by exchanging opinions with other artists concerning either the ideology of art or technical methods.
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I've had a dozen novels published and have made far more than a dozen mistakes. Which is why Randy Susan Meyers and I wrote a guidebook to help authors avoid making our mistakes.
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'Shkoff' is to eat. 'Shkiaff' is to slap. Like, 'Gettouttahere I'm gonna give you a couple of shkiaffs,' or, 'Forget presentation, just shkiaff the food onto the plate.'
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In the early '90s, I was hired to write educational dramas about HIV and AIDS in the shantytowns. I did that for two and a half years, and then I was hired on other films. When 'Tsotsi' presented itself, I thought, 'This is not a world I grew up in, but I've spent a great deal of time writing about it and researching it in my past.'
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I had studied Irish history. I had read speeches from the dock. I had tried to fuse the vivid past of my nation with the lost spaces of my childhood. I had learned the battles, the ballads, the defeats. It never occurred to me that eventually the power and insistence of a national tradition would offer me only a new way of not belonging.
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People don't slip. Time catches up with them.
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I started to write The Name of the Rose in March of 1978, moved by a seminal idea. I wanted to poison a monk.
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A lot of folks believe their best years are behind them. But I want Americans to recognize that's not true.
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What I wish more than anything is that I could start getting press about my work as an actor. That is what I do. I'm not a criminal.
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There has never been but one question in all civilization-how to keep a few men from saying to many men: You work and earn bread and we will eat it.
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Men seem unable to feel equal to women: they must be superior or they are inferior.
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Outside of my work as a comic book creator and co-publisher, I'm an avid gamer.
