Jim McKay Quotes
Quotes to Explore
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Every person that's in the NBA should experience playing in New York at least once in their career.
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I think a British icon is someone who conducts themself with real dignity: someone who is truly talented and modest. These are things that I would aspire to in my career.
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I'm trying to mix the cool, independent stuff with the big stuff, but it's been difficult finding the right roles. It's been an interesting ride as far as my career pendulum is concerned.
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I had the option of building a career in the U.S. Many of my friends who went at the time did not come back, but for me, building the family business and being with family was worth it. I became a general manager within four months, as I used my education to improve productivity and output.
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The truth is, it's not a great career move to create a readership and then, in effect, abandon them.
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I think it's a lot harder for the pros to have a long career in ice dance and in pairs. It seems the singles have a little bit of a longer career.
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I have never broken a contract in my career.
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I don't just want to be a cute girl in a comedy or the actress who just does the same thing over and over again. I want to play roles that are distinct. I want to have a more varied career like actresses Viola Davis or Angela Bassett - those are the people that I grew up watching and admiring.
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Everything I've been through, everything I'm about to go through in my career and my life, if my family wasn't with me and didn't support me, it would be really tough.
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My life, my family and my friends are back in the U.K., so ideally I would love the kind of career that is split between London and New York.
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We've got a long career ahead of us and it's going to be great. Trust me.
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In the 30 years of my career, I have explored all possible mediums, except radio.
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It was a lovely opportunity for the first time in my whole career to stand up and thank people who are really responsible for me getting to realize my dreams.
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Over my career, I've reinvented myself numerous times. I covered the Pentagon, the State Department, and the CIA. I wrote about labor wars, trade wars and real wars. I chronicled a nuclear plant meltdown and the defeat of Communism. I co-founded a couple of media businesses.
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I never had intention of coming to New York or L.A. and actually doing more than scraping by - you know, doing plays. And as my career sort of progressed of its own volition, I did come to New York.
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I've been blessed in my career to be able to do studio and independent films.
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My whole career - I have been really lucky.
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I had reached a point in my career in which I was ready to try something new in my writing, and the idea of a novel has always been in the back of my mind.
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In 2006, when doing a live stage show in Ireland, I tried for the first time to instantly induct a subject on stage, something I had never done before, nor did I know if it would ever work. The result almost cost me my career; the man I grabbed and instantly inducted went out cold and fell to the floor.
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We tell lies, yet it is easy to show that lying is immoral.
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Lawyers are like beavers: They get in the mainstream and dam it up.
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But I honestly don't read critics. My dad reads absolutely everything ever written about me. He calls me up to read ecstatic reviews, but I always insist that I can't hear them. If you give value to the good reviews, you have to give value to the criticism.
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If people respect us as artists, they know we'll give them something different every time; they know we're pushing ourselves.
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Of course the Munich tragedy was the biggest event in my career and the most terrible.
