Jim Otto Quotes
Quotes to Explore
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I came to live in Shepperton in 1960. I thought: the future isn't in the metropolitan areas of London. I want to go out to the new suburbs, near the film studios. This was the England I wanted to write about, because this was the new world that was emerging.
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As an author, I really hate a reader like me. There's no loyalty.
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I am not some goddess that dropped down from the sky to sing pop music; I am not some extra-incredible human person that needs to be told how wonderful they are all day and kissed.
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Street protests in Saudi Arabia might warm our hearts, but they could easily lead to $250 a barrel oil and a global recession.
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I just work out hard enough that, if I'm craving something, I eat it and know I'm going to burn it off the next day with extra intensity.
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I will concede to you one thing - 'Hustler' is offensive, even to the point of being iconoclastic. That's our purpose - to be offensive.
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As far as I'm concerned, 'whom' is a word that was invented to make everyone sound like a butler.
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The progression of emancipation of any class usually, if not always, takes place through the efforts of individuals of that class.
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When it comes to music, we live in a very different world than everyone did in the 1960s and 1970s.
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I hate big models.
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Machines were, it may be said, the weapon employed by the capitalists to quell the revolt of specialized labor.
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Sometimes one succeeds, sometimes one fails.
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We, the artists, make the stuff they sell and they're like ticks on our backs, sucking the life out of us.
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Because I'm shy and a bit quiet, I think people assume I'm an elegant person.
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Albanians, we tan well! I don't burn; I bake.
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The public schools I attended were dominated by athletics and rarely inspiring intellectually, but I enjoyed a small circle of interesting friends despite my ineptitude at team sports and my preference for reading.
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I didn't really understand what you did when you went in front of the camera. And then suddenly I just understood it. When you're in a play, you carry the story, but you don't have to do that in film.
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I truly believe that we're about to enter a second golden age of design. The first one was in the '50s and '60s, when designers like Raymond Loewy, Charles Eames, George Nelson and Dieter Rams were shepherds of the brands they were working with. They had influence over the products and how companies communicated and promoted themselves.
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It would indeed be a sad misfortune if man were released from the necessity of work and struggle, for it is a well-known fact that organs which do not function atrophy; and according to the old saying, 'Idleness is the devil's workshop.'
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First I will make different color tests: I will study the dark – deep blue, deep violet, deep dirty green, etc. Often I see the colors before my eyes. Sometimes I imitate with my lips the deep sounds of the trumpet – then I see various deep mixtures which the word is uncapable od conceiving and which the palette can only feebly reproduce.
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People complain about Hollywood movies being similar. That goes right down to the fundamental green light process, because the process involves having to compare it to three other movies.
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I'm not a green like most Democrats would be. I have a blue-collar district.
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Drama school was a lifeline for me, it saved me. I found it very nurturing - I just clung on.
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I also played in the 1967 Super Bowl against the Green Bay Packers.
