Jim Parsons Quotes
I try to master every facet of a character in order to build a safety net for myself, so I can go on to take more risks to create someone really distinct.
Quotes to Explore
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I think 'North by Northwest' and 'Rope' and Rear Window' and 'Psycho' are on my list of favorite all time movies. I just think his kind of command as a director was almost unparalleled, and I feel like in certain ways the sort of character-based thriller owes more to Hitchcock than anyone.
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I haven't gotten a lot of feedback about, 'Oh, you helped me in this way.' But on social media, people are like, 'Thank you for your positive posts,' or 'It's fun to see you grow and your character. I feel like I'm growing with you.'
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Character is what was yesterday and will be tomorrow.
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I don't know if I've ever played a character who's close to me. There have been some elements of myself in different roles. Sometimes, I show one side of myself and then completely conceal the other.
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I know feeling pressure gets you nowhere creatively. You've just got to understand the character, understand the story, and just play it to the fullest extent.
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My character in 'Batman v Superman' isn't supposed to be Japanese, but director Zack Snyder said he'd seen me in 'Wolverine' and had to get me in the film somehow. Hearing that was like music to my ears.
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There are a lot of actors who will sit here and talk to you about characters - 'He does this, and she's a really interesting character because she does this.' I'm not like that at all. I'm not an actory actor.
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The test of character is having the ability to meet challenges.
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When you choose your friends, don't be short-changed by choosing personality over character.
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Where there is righteousness in the heart, there is beauty in the character. When there is beauty in the character, there is harmony in the home. When there is harmony in the home, there is order in the nation. When there is order in the nation, there is peace in the world.
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Escapism, we are led to believe, is evidence of a deficiency in character, a certain failure of temperament, and like so many -isms, it is to be strenuously avoided. 'How do you expect to get ahead?,' people ask. But the question altogether misses the point. The escapist doesn't want to get ahead. He simply wants to get away.
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The Supreme Court must strike down the government's illegal spying program as a violation of our Fourth Amendment right to privacy.
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In film you can use images exclusively and narrate a whole story very quickly, but you don't always so easily find the form in cinema to dig deeper into human thoughts and emotions. And in a novel you can much more easily express a character's inner thoughts and feelings.
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I have done theatre, and I enjoy the process of smaller films a lot more. When I do such films, there are certain things which I get to do which are untapped. The scenes give me the liberty to play and mould the character in accordance to the director's mindset.
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I'm proud that Della was sort of a prototype for TV secretaries. There really was no such established character on TV when 'Perry Mason' came along.
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Adolescence, that swampy zone between safety and power, is best patrolled by adults armed with sense and mercy, not guns and a badge.
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The Texas Commission on Environmental Quality - what a joke. In my district, we caught them lying to us about the results of air quality studies in the Barnett Shale. They are playing with the health and safety of our communities, and we are going to tell them that is not acceptable.
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Sudden success in golf is like the sudden acquisition of wealth. It is apt to unsettle and deteriorate the character.
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Arnold must have for us the something of the character of what we nowadays have taken to calling a 'culture hero': that is, a man who gives himself in full submission and sacrifice to his historical moment in order to comprehend and control the elements which that moment brings.
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Oftentimes what happens is that the writer understands one character, but they don't understand the other one, and the other one ends up not being written as well.
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These rooms are decorated in two days. It's all kept secret. The neighbors spend the night in each other's home. They don't see their finished room until the end of the second day. They have no say what happens in their own home.
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Charles Schultz is a really interesting case. He wrote that comic strip and drew it himself from beginning to end, and it's a work of genius. It's very simply drawn, but it has some really deep emotions that you don't expect in a silly-looking comic strip.
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I try to master every facet of a character in order to build a safety net for myself, so I can go on to take more risks to create someone really distinct.
