Jim Rash Quotes
I was raised, I feel like, on television, definitely a child of TV, and was always fascinated by storytelling.
Quotes to Explore
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I like to look at 'A Place in the Sun' every now and get inspired by it.
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Life isn't about quantity, it's about quality.
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We need to change America's image round the world. America has lost some lustre in terms of how folks aspire to be like us.
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What do I know of man's destiny? I could tell you more about radishes.
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I used to play the trombone and the trumpet, which I still have, but I haven't picked up for a long time.
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Gran Metalik was a student in CMLL when I was there as a teenager, and I was in main events and big time matches, so I used to see him in the gym all the time.
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I was so excited to work with Ridley Scott. Who wouldn't be?
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Before marriage, many couples are very much like people rushing to catch an airplane; once aboard, they turn into passengers. They just sit there.
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My life is exactly the way it needs to be.
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I've always been somewhere down from the top, so I've never had to suffer being knocked off the top.
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Even if a minefield or the abyss should lie before me, I will march straight ahead without looking back.
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Review your work. You will find, if you are honest, that 90% of the trouble is traceable to loafing.
Ford Frick
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So often, women are there just to be looked at and be objectified for the titillation of the male audience.
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I was introduced to country music around a campfire on a farm.
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When we hate our enemies, we are giving them power over us: power over our sleep, our appetites, our blood pressure, our health, and our happiness.
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With sociology one can do anything and call it work.
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Show me the man who would go to heaven alone if he could, and I will show you one who will never be admitted there.
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I might not have believed this if a Human had said it. Humans said one thing with their bodies and another with their mouths and everybody had to spend time and energy figuring out what they really meant.
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I'd thought it would be something like King's Road London, only more. Somehow I expected them all to own their own little shops. I expected them to all be nice and clean and friendly and happy … (on the contrary, I discovered them to be) hideous, spotty little teenagers.
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It is a fallacy to think that carping is the strongest form of criticism: the important work begins after the artist's mistakes have been pointed out, and the reviewer can't put it off indefinitely with sneers, although some neophytes might be tempted to try: "When in doubt, stick out your tongue" is a safe rule that never cost one any readers. But there's nothing strong about it, and it has nothing to do with the real business of criticism, which is to do justice to the best work of one's time, so that nothing gets lost.
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King would certainly be overjoyed by Barack Obama's inauguration, but we must avoid, and indeed reject, any careless claims that Obama's swearing in marks the fulfillment of King's dream.
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When I started running, the pain barrier was very familiar to me, and I had no problem pushing beyond the pain. When for your whole life, every single workout, you are programmed to push beyond belief, it's really hard to just turn that off and kind of just be a social competitor.
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I like creating these moments where there's this dichotomy between something that repels you but is still so attractive that you can't stop looking. You still want to acquire it; there's still that level of aspiration for the image of the figure or the person you're looking at. when you look at the work there's this, "Oh it's really beautifully rendered!" or, "I love those beautiful tones." There's some aspect that's really attractive but the image itself could be slightly distributing.
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I was raised, I feel like, on television, definitely a child of TV, and was always fascinated by storytelling.
