Sam Taylor-Wood Quotes
I often joke that I straddle psychosis and neurosis, and that being an artist keeps me in the middle, so I can work between the two.
Quotes to Explore
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The only thing I have learnt over the years is that if you enjoy your work and put in the best efforts, it will show. If you follow this process, things work out. But if you go chasing a formula, success will elude you.
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We as the Afghan people and government are willing to help Pakistan work for peace in Afghanistan and work for peace in Pakistan, together.
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This bikini made me a success.
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An actor is somebody who communicates someone else's words and emotions to an audience. It's not me. It's what writers want me to be.
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When you start to think about politicians, you've got to realize these are strange creatures. Other than the fact that they can't tell directions, and they have very strange breeding habits, how do you actually work with these things?
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I've gone very far, far away, but my character keeps me close to home.
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A lot of times, women complain about men around them. It's not always someone else's fault. If you're the common denominator in 57 different relationships that didn't work out, then maybe, just maybe... it's you!
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The world of fiction is a sovereign world that comes to life in the author's head and follows the rules of art, of literature. And that is the major difference that is reflected in the form of the work, in its language and its plot. An author invents every aspect of a fiction, every detail.
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One minute, it seemed I had more movie offers than I could handle; the next – no one wanted me.
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In the 1970s and 1980s, I got to do some great work. The Oscars are really nice, but the best part is that I had the opportunity to do that kind of work.
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The first two pictures I did, I played a young student in prep school. When I did Lifeguard, everyone was saying, You're so Southern California. It was a surprise to me.
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My dad was always interested in characters he didn't understand - he was such a great bad guy in movies. And that is really the thing that calls me to the material often: something I struggle to understand in human behaviour.
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No genuinely avant-garde artist should ever be on the government dole.
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If I wasn't dyslexic, I probably wouldn't have won the Games. If I had been a better reader, then that would have come easily, sports would have come easily... and I never would have realized that the way you get ahead in life is hard work.
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Olympics for me is love, peace, united.
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Oracle is my second job ever that did not involve waitressing. But I still have my waitress apron just in case this does not work out. It's just that I fell in love with software when I was programming in college. When I was an investment banker, there were mostly mainframe companies and very few software ones.
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It was tough for him in that newsroom with Ted Baxter getting all the glory and this poor guy doing all the work. Murray worried so much he worried his hair off!
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I saw a '60 Minutes' piece on Google as a place to work. It was such a foreign concept from what I understood as a regular job. There's free food, sleeping pods, Ping-Pong. I'm the kind of guy who likes to get involved in everything - I'd be all over the Ping-Pong.
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I've got the sort of personality that requires me to find some sort of release, and for me, it's performing.
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It's the tyranny of an oligarchy that I'm concerned about.
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The world is full of people who never quite get into the first team and who just miss the prizes at the flower show.
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We were very influenced by The Beatles, no question.
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A ghost story of which the scene is laid in the twelfth or thirteenth century may succeed in being romantic or poetical: it will never put the reader into the position of saying to himself: "If I'm not careful, something of this kind may happen to me!
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I often joke that I straddle psychosis and neurosis, and that being an artist keeps me in the middle, so I can work between the two.
