James Victor Scott (Jimmy Scott) Quotes
There were times, I could say, later in the career, that I wished that my voice would be deeper for materials that I might've wanted to select to do. But that's the style of my voice. There's nothing I can do about the height of my voice. And so I learned to deal with it.
Quotes to Explore
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Every person that's in the NBA should experience playing in New York at least once in their career.
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I promised my mom that if, after a year of putting 150 percent into my career it didn't work out, I would go back to school. I never did go back.
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I thought that I'd have a briefcase-and-power-suit career.
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If I had my time again and was able to change one thing from my career then I wouldn't have retired. I would have played for Wales longer.
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There's something about live players that you cannot get with machines: With live musicians, you can strike a groove, you can feed off each other... And, even though somebody might make a slight mistake, it's all real!
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When I wrote 'Hatchet,' I knew that I was not re-inventing the wheel. That was never my intention. My goal was to make an '80s-style slasher flick that actually holds up. Basically, I wanted to make the movie that I wanted to see and pay no mind to current trends or conventions.
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I studied communications, only because I could get my own show on the campus radio station. I never thought of it as a career. Music was always a really passionate hobby - it was like collecting DVDs or stamps.
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A lot of newspaper columns used to be written in a rat-a-tat-tat, fast-paced style - and they tended to be funny. They were a little relief from the grimmer, grayer parts of the newspaper, and one of the best people at doing this was Will Rogers.
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My dad was more tensed than I was a day before the release. Having learned that 'Bruce Lee' has released to the highest openings in my career, he has settled down.
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Songwriter friends will be like, 'Oh my God, when are you going to put out 'Love Triangle?'' It's just been that song for me that really helped me get a lot of writing sessions and helped jump-start my writing career.
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I can be collaborative, for instance, in situations where I go and study the artist's work before I start writing. Then I can at least try to write towards their style.
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I don't just want to be a cute girl in a comedy or the actress who just does the same thing over and over again. I want to play roles that are distinct. I want to have a more varied career like actresses Viola Davis or Angela Bassett - those are the people that I grew up watching and admiring.
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I would describe my personal style as eclectic.
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I love the fashion world. I love clothes. I love style.
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I think that what's been holding composers back a great deal is that they feel they must have a new style every year. This, in my case, would be hopeless. In fact, it is said that I have no style at all, but that doesn't matter. I just go on doing, as they say, my thing. I believe this takes a certain courage.
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People often write after they finish their career, or they don't play anymore, or they are not anymore active. So I say, why do that? And let's do it differently.
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I'm not fashionable, and I know nothing about fashion, but I have my individual style, and style is eternal.
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So many cartoonists draw the same year after year. When they find a style, they stick with it. They don't mess with innovation, and they become boring.
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Have I done more business-related things to help my career grow? Yeah. I took the business end more seriously, hooked up with a manager, got some help, because at a certain point, you get frustrated when you go do auditions, and people say you did a great job, and then you don't get he part.
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The reality is that asking the public to fund political campaigns accomplishes nothing. Candidates continue to seek interest-group support through other channels, both financial and in-kind, and corruption problems abound.
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The modern dilemma is essentially a spiritual one, and every one of its main aspects, moral, political and scientific, brings us back to the need of a religious solution.
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Here in England, my becoming an actor was considered unimaginative.
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I think I would make a good spy. I can sort of be a chameleon. People don't notice me very easily. I never get recognized.
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There were times, I could say, later in the career, that I wished that my voice would be deeper for materials that I might've wanted to select to do. But that's the style of my voice. There's nothing I can do about the height of my voice. And so I learned to deal with it.
