Jimmy Page Quotes
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Every musician wants to do something which will hold up for a long time, and I guess we did it with 'Stairway to Heaven.'
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Every record is a portrait of the band at that time.
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We went in and recorded exactly where we were at that point in time. I think because of the quality of musicianship of the band has given it the longevity. I thought the music would endure, I didn't think I would ... I always thought I'd be dead by 30, then dead by 40 and on and on. Now I'm 55 so I didn't even die at 50.
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The element of change has been the thing, really. We put out the first one, then the second... then a third LP totally different from them. It's the reason we were able to keep it together.
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I can only listen to what I'm working on, at the time. I can't listen to anything else because I don't want to copy it.
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This week, I'm a gypsy. Maybe next week it'll be glitter rock.
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All my houses are isolated. Many is the time I just stay home alone.
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I'm obsessed - not just interested, obsessed - with folk music, street music, the parallels between a country's street music and its so-called classical and intellectual music, the way certain scales have travelled right across the globe. All this ethnological and musical interaction fascinates me. Have you heard any trance music? That's the thing.
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I'm trying to photosynthesize like a plant. I'm off eating. Although I am making a lot of banana daiquiries in my room in the blender I've got, with lots of powdered vitamins in them. This tour I'm going to get some Afghani hangings and put them in my room, so that my hotel rooms look like mosques.
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That's the music that I play at home all the time, Joni Mitchell. Court and Spark I love because I'd always hoped that she'd work with a band. But the main thing with Joni is that she's able to look at something that's happened to her, draw back and crystallize the whole situation, then write about it. She brings tears to my eyes, what more can I say? It's bloody eerie. I can relate so much to what she says. "Now old friends are acting strange/They shake their heads/They say I've changed."
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There's a very old recording maxim that goes, 'Distance makes depth.' I've used that a hell of a lot-whether it's tracking guitars or the whole band. People are used to close-miking amps, but I'd have a mic out around the back, as well, and then balance the two. Also, you shouldn't have to use EQ in the studio if the instruments sound right. You should be able to get the right tones simply with the science of microphone placement.
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My favorite guitar solo of all time was Elliot Randall's on `Reelin' In The Years'.
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I always thought the good thing about the guitar was that they didn't teach it in school.
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I bet you can't play slide piano.
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My vocation is more in composition really than anything else - building up harmonies using the guitar, orchestrating the guitar like an army, a guitar army.
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There's so much that can be done on the guitar. And that's what is so good about the guitar - everyone can really enjoy themselves on it and have a good time, which is what it's all about.
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You never knew what was going to happen in concert. It was a really exciting prospect to go onstage, and you can hear that in the live recordings ... wherever we were and whatever year it was, we always went onstage determined to do our best.
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I do not worship the devil. But magic does intrigue me. Magic of all kinds. I bought Crowley's house to go up and write in. The thing is, I just never get up that way. Friends live there now.
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There's always music that moves me. It doesn't necessarily mean that it's within the parenthesis of rock or blues, or whatever. It's usually far more reaching than that. It can be in many different genres.
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Actually, I'm getting one made up with eight necks and I'm going to get a wheelwright to make a big rim around it and then I can do cartwheels off the stage.
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I can communicate far better on a guitar than I can through my mouth.
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I'm still terrified of flying. I really have to get drunk to fly. I've found that I've developed fears I never had before... fears of heights, claustrophobia... only in cities, though, never in the country.
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I don't like to tell people what format they can get things in, or say, "I'm only going to release this on vinyl and nothing else. You have to come to my world." I don't like to say that to people either. But, I do think there's a loss of romance.
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So far I've been very, very fortunate because it appears that people like to hear the music I like to play. What more fortunate position can a musician be in?