Jimmy Page Quotes
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I believe every guitar player inherently has something unique about their playing. They just have to identify what makes them different and develop it.
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I do really believe that all guitarists have a different character that comes through, that's a strong character, the stronger the person is.
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But to put out a greatest hits on one CD was totally impossible, I just couldn't do it. The best compromise was to put out two CDs - Early Days - which is what it is - and Latter Days.
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The idea of a hypnotic riff as the prime mover of a piece of music has been around for a long time, whether you're talking about the Delta blues or music from Middle Eastern and African cultures.
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There is far more sensitivity in acoustic guitar players than could ever be compared to any synthesizer. That's a personal point of view but that's the way I see it. I think that's what it's all about. The drive, the fire, the passion - it all comes out on the guitar.
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The key to Zeppelin's longevity has been change.
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I'm not interested in turning anybody on to anybody that I'm turned on to... if people want to find things, they find them themselves.
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I don't like being stuck in one situation, day to day.
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If you wanted to chart new territories and head off over the horizon, you had to make sure you weren't overly influenced by what others were doing ... so it didn't matter what other bands were doing ... we did what we were doing.
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Well, Led Zeppelin IV! That's it really. I'll tell you why the album had no title - because we were so fed up with the reactions to the third album, that people couldn't understand why that record wasn't a direct continuation of the second album. And then people said we were a hype and all, which was the furthest thing from what we were. So we just said, `let's put out an album with no title at all!' That way, either people like it or they don't... but we still got bad reviews!
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I'm not a guitarist as far as a technician goes, I just pick it up and play it. Technique doesn't come into it.
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You absorb so much from whatever your environment is, as an artist, and you learn to take from it what can help you create.
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I can listen to all different sorts of music. I don't really care about The Next Big Thing.
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There was no working title for the album. The record-jacket designer said `When I think of the group, I always think of power and force. There's a definite presence there.' That was it. He wanted to call it `Obelisk'. To me, it was more important what was behind the obelisk. The cover is very tongue-in-cheek, to be quite honest. Sort of a joke on 2001. I think it's quite amusing.
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Right from the first time we went to America in 1968, Led Zeppelin was a word-of-mouth thing. You can't really compare it to how it is today.
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I'm still searching for an angel with a broken wing. It's not very easy to find them these days.
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If I ever really felt depressed, I would just start putting on all my old records that I played as a kid, because the whole thing that really lifted me then still lifted me during those other times. It was good medicine for me, and it still does that for me when I put something on. Isn't it wonderful that we've got all that good medicine? I think it's got to be all part of our DNA, this mass communication through music. That's what it is. It's got to be, hasn't it? Music is the one thing that has been consistently there for me. It hasn't let me down.
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So many people are frightened to take a chance in life and there's so many chances you have to take.
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There's too many good musicians around for the music around for the business to be sagging.
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You can't overthink the music. Mood and intensity can't be manufactured. The blues isn't about structure; it's what you bring to it. The spontaneity of capturing a speciļ¬c moment is what drives it.
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If you're working at the factory and you're cursing every day that you get up, at all costs get out of it. You'll just make yourself ill.
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The blues appealed to me, but so did rock. The early rockabilly guitarists like Cliff Gallup and Scotty Moore were just as important to me as the blues guitarists.
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My vocation is more in composition really than anything else-building up harmonies using the guitar, orchestrating the guitar like an army, a guitar army. ... I always felt if we were going in to do an album, there should already be a lot of structure already made up so we could get on with that and see what else happened. ... I always believed in the music we did and that's why it was uncompromising. ... I don't think the critics could understand what we were doing.
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The greatest satisfaction is not the decoration. It is knowing that I am able to help someone who needs help.