Jimmy Page Quotes
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The key to Zeppelin's longevity has been change.
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But to put out a greatest hits on one CD was totally impossible, I just couldn't do it. The best compromise was to put out two CDs - Early Days - which is what it is - and Latter Days.
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When I started doing sessions, the guitar was in vogue. I was playing solos every day.
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There is far more sensitivity in acoustic guitar players than could ever be compared to any synthesizer. That's a personal point of view but that's the way I see it. I think that's what it's all about. The drive, the fire, the passion - it all comes out on the guitar.
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The idea of a hypnotic riff as the prime mover of a piece of music has been around for a long time, whether you're talking about the Delta blues or music from Middle Eastern and African cultures.
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I believe every guitar player inherently has something unique about their playing. They just have to identify what makes them different and develop it.
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If you wanted to chart new territories and head off over the horizon, you had to make sure you weren't overly influenced by what others were doing ... so it didn't matter what other bands were doing ... we did what we were doing.
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I don't like being stuck in one situation, day to day.
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There's too many good musicians around for the music around for the business to be sagging.
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If you're working at the factory and you're cursing every day that you get up, at all costs get out of it. You'll just make yourself ill.
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If I ever really felt depressed, I would just start putting on all my old records that I played as a kid, because the whole thing that really lifted me then still lifted me during those other times. It was good medicine for me, and it still does that for me when I put something on. Isn't it wonderful that we've got all that good medicine? I think it's got to be all part of our DNA, this mass communication through music. That's what it is. It's got to be, hasn't it? Music is the one thing that has been consistently there for me. It hasn't let me down.
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I'm not a guitarist as far as a technician goes, I just pick it up and play it. Technique doesn't come into it.
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Well, Led Zeppelin IV! That's it really. I'll tell you why the album had no title - because we were so fed up with the reactions to the third album, that people couldn't understand why that record wasn't a direct continuation of the second album. And then people said we were a hype and all, which was the furthest thing from what we were. So we just said, `let's put out an album with no title at all!' That way, either people like it or they don't... but we still got bad reviews!
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There is no way I would play guitar like a tour de force like I did in Led Zeppelin. John Bonham, phenomenal drummer, young man with his technique, but do you think he would ever have the opportunity to play like that in another band? Of course he hadn't.
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There was no working title for the album. The record-jacket designer said `When I think of the group, I always think of power and force. There's a definite presence there.' That was it. He wanted to call it `Obelisk'. To me, it was more important what was behind the obelisk. The cover is very tongue-in-cheek, to be quite honest. Sort of a joke on 2001. I think it's quite amusing.
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I'm attracted by the unknown, but I take precautions.
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You know what you can gain when you sit down with the Moroccans. As a person and as a musician. That's how you grow.
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So many people are frightened to take a chance in life and there's so many chances you have to take.
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The term "genius" gets used far too loosely in rock & roll.
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No. I usually rest in my satin-lined coffin, actually. I'm not allowed out in daylight hours.
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The greatest satisfaction is not the decoration. It is knowing that I am able to help someone who needs help.
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Domesticity and all that isn't really for me.
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You absorb so much from whatever your environment is, as an artist, and you learn to take from it what can help you create.
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Every record is a portrait of the band at that time.