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You know what you can gain when you sit down with the Moroccans. As a person and as a musician. That's how you grow.
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There is no way I would play guitar like a tour de force like I did in Led Zeppelin. John Bonham, phenomenal drummer, young man with his technique, but do you think he would ever have the opportunity to play like that in another band? Of course he hadn't.
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My vocation is more in composition really than anything else-building up harmonies using the guitar, orchestrating the guitar like an army, a guitar army. ... I always felt if we were going in to do an album, there should already be a lot of structure already made up so we could get on with that and see what else happened. ... I always believed in the music we did and that's why it was uncompromising. ... I don't think the critics could understand what we were doing.
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No. I usually rest in my satin-lined coffin, actually. I'm not allowed out in daylight hours.
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I love playing. If it was down to just that, it would be utopia.
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The blues appealed to me, but so did rock. The early rockabilly guitarists like Cliff Gallup and Scotty Moore were just as important to me as the blues guitarists.
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The term "genius" gets used far too loosely in rock & roll.
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When you hear the melodic structures of what classical musicians put together and you compare it to that of a rock & roll record, there's a hell of a long way rock & roll has to go.
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The way I see it, rock & roll is folk music. Street music. It isn't taught in school. It has to be picked up.
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Once I got a guitar that was relatively user-friendly, but not super-duper easy, I really came on as a guitarist, at that point. It helped. It was a super-expensive guitar either, but something needs to steer you a bit, if you're playing an instrument that is really hard.
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I'm attracted by the unknown, but I take precautions.
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Almost the moment he died, they put him in Playboy as one of the greatest drummers, which he was - there's no doubt about it. There's never been anybody since. He's one of the greatest drummers that ever lived.
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I deal in emotions. It's the harmonic side that's important. That's the side I expected to be much further along on than I am now. That just means to say that I've got to keep at it.
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You get as much out of rock & roll artistically as you put into it. There's nobody who can teach you. You're on your own and that's what I find so fascinating about it.
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I spend a lot of time near water.
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I know what I want to get down and I haven't got much time to do it in.
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We kept moving forward and didn't try to recreate the past .. the approach to each album was radically different every time. Many bands would have some success and, because they were locked into having a single - something we didn't have to worry about - they had to make sure there was something similar on the next album ... that was never the idea with Led Zeppelin .. the goal was to keep that spark of spontaneity at all times.
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I like change and I like contrast.
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When I went over to the States to promote Outrider, everyone was telling me I was a blues guitarist. I'm not a bloody blues guitarist. I'm a guitarist.
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I have a voracious appetite for all things, worldly and unworldly.
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Music can always be a life-changing experience, for musicians and fans, or at least life-affecting, but it depends on to what degree.
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The beauty of the band was you never knew what was going to come out next.
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Let me explain something about guitar playing. Everyone's got their own character, and that's the thing that's amazed me about guitar playing since the day I first picked it up. Everyone's approach to what can come out of six strings is different from another person, but it's all valid.
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You can't expect to be the same person you were three years ago. Some people expect you to be and can't come to terms with the fact that if a year has elapsed between LPs, that means one year's worth of changes. The material consequently is affected by that, the lyrics are affected by that... the music too.