Jimmy Kimmel Quotes
Quotes to Explore
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In my opinion, all relationships between people have some sort of violence, and it is central.
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You turn up on set, and somebody who has come out of Oxford, has done a BBC course, is telling you how to act. You think, 'Do me a favour. Go and make a coffee.'
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Never stand still. Only stand still enough to learn, and once you stop learning in that stance, move off. Always keep yourself engaged, in theater, in whatever job you can get. If you can't get an acting job, then go backstage. Or take tickets. But be around actors because that is where you will primarily learn.
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You must not fear death, my lads; defy him, and you drive him into the enemy's ranks.
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You have to interpret what's hot to make it work on yourself. If tweed suits are in, but you're not a suit kind of girl, wear the jacket with jeans and a pair of Converses.
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Success is not like a cake that needs to be divided. It's more like a heap of stones - a cairn. If someone is successful, they add a stone to the cairn. It gets very high and can be seen from all over the world. That's how I see it.
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I was too prissy, too refined, too abstemious, too French to be a good American writer.
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I can stay up watching TV so late.
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Irish mythology is gorgeous, and so are the fairies, but they are very misrepresented in the U.K. They are not little creatures with wings.
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The E.U. can deliver on its citizens' needs and make its partnerships work only if we all act together - E.U. institutions and national governments, at all levels, united.
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I've said that playing the blues is like having to be black twice. Stevie Ray Vaughan missed on both counts, but I never noticed.
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No such thing as a man willing to be honest - that would be like a blind man willing to see.
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I don't have mom issues or dad issues. I think I have found peace about many things in my past. I have forgiven and asked to be forgiven.
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It's very hard to transgress; we have the furniture of transgression without the imagery and iconography to actually do it.
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The service of philosophy, of speculative culture, towards the human spirit, is to rouse, to startle it to a life of constant and eager observation.
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In 1930, I was at the top of my career. I won the Most Valuable Player award.
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If you look at satellite photographs of the Far East by night, you'll see a large splotch curiously lacking in light. This area of darkness is the Democratic People's Republic of Korea.
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I feel very strongly that you can't just beat people up anymore; you have to work hand in hand and find ways to compromise, and get big business involved, because it won't happen otherwise.
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From my side, there was no acceptance to this fact that I am any less than anyone around me. So there was a certain discomfort that I felt growing up that I am not seen as I want to be seen as.
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What? You seek something? You wish to multiply yourself tenfold, a hundredfold? You seek followers? Seek zeros!
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I thought we were gonna open up the world of poetry and music to all kinds of things, and yet, I can't really think of anyone who's done anything like it since.
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It takes a while for audiences on film to see you as something different if they've seen you for so long as a specific character. It's up to the actor to be like, 'Look man, let's try something else,' even if it's an ultra-low-budget independent. People who rep you will keep going with whatever they can send you on.
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There's something comforting and pleasurable about watching people win money.
