Ralph Baer Quotes
It's like I'm basically an artist. I'm no different from a painter who sits there and loves what he does.
Quotes to Explore
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When I was travelling in Rajasthan people were waving hands, and it felt like I was visiting my own constituency.
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I often joke that I straddle psychosis and neurosis, and that being an artist keeps me in the middle, so I can work between the two.
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I'm the worst at picking what movies are going to do well. I have no idea. I'm really surprised if a movie I like does well.
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I'm a very positive person. I get excited easily, and I like to jump around.
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People go to restaurants for so many different reasons. To court a girl, to make some deal. Maybe to talk to some lawyer about how to get an alimony settlement better than they got last week.
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Making fun of born-again Christians is like hunting dairy cows with a high powered rifle and scope.
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The biggest thing politically within fashion is that the clothing should be displayed on different body shapes.
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It is obvious that the monetary union among 17 very different European countries does not work. As an economist, I know that the Eurozone is not an optimum currency area, as defined in economic theory.
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There's so much music in Austin, and it's all so different.
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I like Brad Pitt; I just have nothing to do with him.
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I actually love doing period pieces, purely because it takes you into a different world, mentally. The clothes you have to wear are so far from our everyday clothes that it immediately helps with the character and putting you in that mind frame.
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I'd really like to work with Gwen Stefani and Cee Lo.
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I don't feel like I'm grown up. I feel like I'm a kid.
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Sports in Indonesia aren't being supported by the government. The rewards you get as a young player don't match the effort you put in. I want to be different from other athletes, if not better, and I want to make something good out of my profile and help the younger players have opportunities.
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We are like the mechanism of a watch: each part is essential.
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I wrote 'White Teeth' in the late nineties. I didn't really feel trepidatious about it. It was a different time.
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I want to make sure that people know that I can only be myself - I can't be a spokesperson for people with disabilities, because everybody has a completely different experience. I'm glad that I'm able to inspire parents to see one way to deal with it, but at the same time, I tell a lot of dirty jokes.
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Every single time you make a merger, somebody is losing his identity. And saying something different is just rubbish.
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It can be difficult to mediate a compromise between what I have in my head and what the musician has in mind, which is often 180° different when it comes to the finished product, so it requires that element of trust from somewhere. The point I make to them is "You've seen what I do, so just trust me and we will come up with something exciting."
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Even if I wouldn't wear something myself, I think I know how women feel, how women want to look. I can really relate to women, I get on very well with women... Some women don't. I want to empower women, make women feel the best version of themselves.
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The record business is dangerous to the health of bands and individuals, which is something I'm just now learning. But it's not dangerous in any of the ways people think; it's not that they try to make you compromise your art. That's not the problem.
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I like a person who knows how to say something dark at a very dark moment. The darker the moment and the darker the comic, the better. Something that is so wrong on all levels.
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Just as Cardinal Bernardin proposed that an of ethic of life be consistently applied to unite all the life issues, we need in our day to mine the church's social teaching on solidarity.
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It's like I'm basically an artist. I'm no different from a painter who sits there and loves what he does.
