Max Irons Quotes
Quotes to Explore
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I was 21 in 1968, so I'm as much a child of the '60s as is possible to be. In those years the subject of religion had really almost disappeared; the idea that religion was going to be a major force in the life of our societies, in the West anyway, would have seemed absurd in 1968.
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If Clark Gable had a Facebook page, there would have been a 'Gone with the Wind 2.'
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I'm always on the phone because I'm usually not with the people I want to be with.
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The reason can only be this: heroic poetry depends on an heroic age, and an age is heroic because of what it is, not because of what it does.
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Passive fatalism can never be the role of a revolutionary party, like the Social Democracy.
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But though cognition is not an element of mental action, nor even in any real sense of the word an aspect of it, the distinction of cognition and conation has if properly defined a definite value.
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I went to the Westminster College for Men in Missouri, which is what it was called back then, and transferred to the University of Denver where I ultimately got my degree.
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I'm most excited about all of the non-currency uses of the block chain's ledger-ordering ability. I have no idea which ones will turn out to be successful, but I'm glad all of that experimenting is happening.
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Strivers achieve what dreamers believe.
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I think life gives you lemons, and the thing that I'm working on doing is not watering it down, not putting sugar in it. Just drink it straight. The more you can take life head on... it's gonna make you a better person, and then you have nothing left to be afraid of. And what an awesome way to live.
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I would describe my look as 'ladylike rock chick.'
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What you wear onstage is a reflection of your artistry.
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One of the secrets of a successful life is to be able to hold all of our energies upon one point, to focus all of the scattered rays of the mind upon one place or thing.
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There's only one set of books I've written that I knew was going to be more than one book at the beginning, and those are the 'Missing Link' books.
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The tricky thing about songwriting is that, more often than not, what you consider to be your best work generates a collective shrug, and something you've simply tossed off bowls people over.
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I grew up being absolutely in love with Tom Hanks. I remember, all the kids had Brad Pitt plastered all over their textbooks, and then I had Tom Hanks plastered over mine.
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I am damn good. I am doing all this for Egypt and nothing else. I reject 70 per cent of media interviews while these people who accuse me are running after them.
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I remember once when I told Lindsay Anderson at a party that acting was just a sophisticated way of playing cowboys and Indians he almost had a fit.
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Upon the hearth the fire is red, Beneath the roof there is a bed; But not yet weary are our feet, Still round the corner we may meet A sudden tree or standing stone That none have seen but we alone. Tree and flower and leaf and grass, Let them pass! Let them pass!
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Many of my songs were dance orientated from way back. That's because I love dance! When I hear a dance number, just hearing the first eight bars, it immediately makes my bod start moving and dancing.
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As a child I'd get given parts as a tree.
