Max Keiser Quotes
What I immediately recognized about Wall Street in 1983 was that it was a continuation of my career in theater. Wall Street is a big theater, and it's all illusions.
Quotes to Explore
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Sometimes you have to go up really high to understand how small you really are.
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The last episode of Dallas was in '1991.' Unfortunately, it was a terrible episode to end the show on: it was a sort of 'It's a Wonderful Life' with Larry as the Jimmy Stewart character. In that episode, I was an ineffectual-schlep kind of brother, who got divorced three or four times and was a Las Vegas reject.
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There is no diplomacy like candor.
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A moment's insight is sometimes worth a life's experience.
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After World War I the resentment of the working class against all that it had to suffer was directed more against Morgan, Wall Street and private capital than the government.
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My children are English, and both of their mothers were English.
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Salvation for a race, nation or class must come from within.
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If your access to health care involves your leaving work and driving somewhere and parking and waiting for a long time, that's not going to promote healthiness.
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Indian hotels are doing well globally because they understand hospitality.
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All art is exorcism. I paint dreams and visions too; the dreams and visions of my time. Painting is the effort to produce order; order in yourself. There is much chaos in me, much chaos in our time.
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I'm a food addict, that's my downfall.
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My parents took me to a movie, and I remember wanting to sit apart from them for some reason. I wanted to be a big boy or whatever. I remember looking up on that screen. It was a movie about medieval knights. All I remember is saying, 'I want to do that. I want to make movies.'
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Pakistan is alarmed by the rising Indian influence in Afghanistan, and fears that an Afghanistan cleansed of the Taliban would be an Indian client state, thus sandwiching Pakistan between two hostile countries. The paranoia of Pakistan about India's supposed dark machinations should never be underestimated.
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I guess actors are very sensitive people. We're porous.
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I go on a good many adventure-type trips. Whenever I go on one, it's always potentially going to be the setting for one of my books. I pay more attention to certain aspects than some other people might. Sometimes I use them, sometimes I don't. Most of the books I write are based on experiences I've had to some extent.
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The falsification of scientific data or analysis is always a serious matter.
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Marinating chicken in miso adds lots of character to the meat with little work.
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Startups on the inside are always badly broken.
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I've been a Republican all my life because I embrace the conservative values of hard work, personal freedom, less government and fewer taxes. But I also believe in compassion, inclusion, and helping those who want to help themselves.
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There's very little bohemia in Australia and it's one of the things I miss most about not living in Europe.
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A heartsong doesn't have to be a song in your heart. It doesn't have to be talking about love and peace. It can just be your message. It can be your feeling. Some people might even call it a conscience, even though that's not really what it is. It's your message, what you feel like you need to do.
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I hear actors complain about being stereotyped, and a lot of the time, you have yourself to blame. Just don't take the part if you feel like it's a stereotypical part for you. You have control over your life. We don't have the old studio system, where you have to do what they tell you.
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'The Wall' is a reaction to 'Edge of Tomorrow,' where I was like, 'I don't need time travel and aliens to take a hero and pin them down in an impossible situation. I can do it in a much simpler way.' And that was 'The Wall.'
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What I immediately recognized about Wall Street in 1983 was that it was a continuation of my career in theater. Wall Street is a big theater, and it's all illusions.
