Yotam Ottolenghi Quotes
Quotes to Explore
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Once you are a model, you do have to fly a million red-eye flights, and you do have to entertain a different client every single day.
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I tour with a piano, actually. Luckily I am able to hire people that deal with it completely and magically a piano appears on stage and then magically disappears when I leave.
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No critic writing about a film could say more than the film itself, although they do their best to make us think the oppposite.
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Every year on your birthday, you get a chance to start new.
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Pakistan is not a rogue state, but it harbours and covertly supports rogue elements. While war is not the answer, hard or coercive diplomacy could be.
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It is impossible to live without failing at something, unless you live so cautiously that you might as well not have lived at all, in which case you have failed by default.
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I don't really consider myself an impressionist.
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I've been making a diary of the daft things people have said during London Fashion Week, and it does wear a little bit thin, everyone comparing my name to Edie Sedgwick.
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I make the music my ears want to hear, I wear the clothes my body wants to wear and the ones boys call me back for, and I generally make the songs that my feet dance to.
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I went through a lot of phases and studied many religions. I am not into religion, I am spiritual.
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I had studied Irish history. I had read speeches from the dock. I had tried to fuse the vivid past of my nation with the lost spaces of my childhood. I had learned the battles, the ballads, the defeats. It never occurred to me that eventually the power and insistence of a national tradition would offer me only a new way of not belonging.
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One place had a winning record that I went to, and that was Detroit. Rick Carlisle laid a foundation that gave us a chance to win a championship.
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I was 19, and I thought I should settle down and get a real job, and what was I doing living this dream world?
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'The Fight Club' DVD is great. I like anything that has really good extras because as an actor, it's really great to see the behind-the-scenes stuff and see how different actors approach their particular project.
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We got a little waylaid along the way. The whole problem started about 10 years ago with management and legal battles, then still trying to make albums while I was doing all of that.
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It always starts with a script. I like to have plenty of time to read something, and I always like to read a paper copy. I hate reading it on email. I sit down with a script, and want to see how it hits me. It's an instinctive process.
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I'm such a carnivorous researcher as an actor - I chew it up like it's meat, and I really don't know how to do that without the people that are producing or creating or writing that which they want me to chew up.
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It could get saturated or monotonous if I would do the same characters again and again. That is why, to save myself from that feeling, I take time out to choose roles that excite me.
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The Olympic Movement gives the world an ideal which reckons with the reality of life, and includes a possibility to guide this reality toward the great Olympic Idea.
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As I saw more and more people buying the images that were happy buyers, and people selling the images that were happy with how the market was pricing them, I started to get the sense this could be the go-to place for businesses to get the images they need.
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You're always going to feel like you're catching up, and part of that is just balancing work and motherhood and the whole feeling of needing to please, which I do think girls and women feel more than men.
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The hollowing out of the middle class is a problem common to all Western industrialized economies. Maybe we should work together to solve it.
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I'm excited and terrified to write something new. I won't be writing about suburbia.
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Marinating chicken in miso adds lots of character to the meat with little work.
