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When I work on a film, I always tend to relate to the crew.
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My sister can walk down the street and just know what's going on with people. She'll say, 'Oh, they're going through a divorce' or, 'Their kid just went off to college' or, 'He just got a great job.'
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There's something really freeing about playing a character that isn't even, like, remotely likeable whatsoever.
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There's a lot of wisdom that my dad and my grandparents and my uncle have been able to impart on me, and what I've treasured the most is I've seen examples in my life of people embracing their creativity, not feeling insecure about their artistic inclinations.
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I'm not an NRA member, but that doesn't mean I didn't appreciate shooting blanks out of a machine gun.
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When I started working, I just had my name be 'Bryce Dallas.'
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I found out I was pregnant seven days after my wedding. I was on honeymoon with my family.
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I loved being pregnant.
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Telling everyone I wanted to go into forensic anthropology was my form of rebellion.
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As far as what is the line between human and machine? That's a great question.
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The thing that every parent hopes for is that the baby's healthy, I'm healthy. No matter how you feel, that's the most important thing.
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My parents have been together since they were 16 years old.
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Creativity is all around us, and some of the funniest, most beautiful, and touching moments happen when you least expect it.
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I would amputate my toes to work with Lars von Trier again.
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As a teenager, I was perpetually grounded. I was stubborn rather than rebellious.
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I don't have any friends who are actors through my dad.
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My greatest dream is to work with my dad someday as an actress.
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I did karate for years and years and years.
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Writing 'when you find me,' it really exposed me to a way of putting together a story I hadn't thought of.
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I definitely managed to do different kinds of things. My focus is usually who the director is, because at the end of the day the director is the storyteller, what the movie is all about. I don't want to participate in something that I don't think is constructive storytelling.
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My first time I directed a play was 'No Exit,' a play set in a subway.
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I'm really into sci-fi. I always have been. In addition to that, I've always had a tremendous fascination with the lure of the Apocalypse or Judgment Day or the Mayan calendar, etc., etc.
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I feel like I almost didn't grow up in the business, because my parents worked so hard at sheltering us from that. I was raised in Connecticut. And I honestly wasn't aware that my dad was a celebrity until I moved to Los Angeles a year ago.
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I will never reach the success that my dad has felt.