Patti Smith Quotes
I didn't begin my life in 1975 with 'Horses.' I recorded 'Horses' in 1975, but was drawing in Paris in 1969.
Quotes to Explore
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The first impression that I liked doing was an impression of Cheri Oteri's Barbara Walters impression on 'SNL.' I found that I could mimic that pretty well, and people got a kick out of that.
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I like to see a good scientific bout by men who know the use of their hands but would rather walk twenty miles than see animals in strife.
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It drives me crazy when your parents try to read your mind. It's even worse when they try to read your mail.
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I have to make sure that I make good choices and that if I put my name on it, it's a high-quality endeavor and that I have time to be a human being.
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I learned that when you stand up for what you believe in, you'll get a lot of support. But there are always going to be negative things said about you.
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If you eat something and get fat, you should be responsible for it. I think that is the attitude of the great majority of Americans, that you should be responsible for what you eat.
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For an introvert his environment is himself and can never be subject to startling or unforeseen change.
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Everyone is just nicer to prettier people.
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I think management and technology all come into play in building a super-yacht. It is a challenge - a serious challenge.
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I think that most people who hire me to do a remix just want it to work in a nightclub, whereas when I'm writing my own album, I don't have to worry so much about 2 A.M.
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I stayed in the ghetto. Then I stayed in condos, then I stayed in penthouses, and then I stayed in mansions.
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I'm not good at accepting help.
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Social peace requires reciprocity.
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My mom and I are very close.
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In current times, our moral uproar is best reserved for those who aspire to stone men or women to death, not those who consensually watch women - or men, for that matter - dance.
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Title IX came along and changed a lot of things for the better, but nevertheless, it meant that money became more important.
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Since I am first of all a character writer, that character's emotions are as vivid to me as my own. I always begin with an emotion after I have established a character in my mind. I feel what they feel. I guess that is why it comes across so strongly.
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I really like doing puppetry; I'm not sure if it will find its way into 'Big Bang,' but it always does seem to find its way into a lot of things.
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Actors have this amazing skill - we bond quite quickly but equally we move on quite quickly. There's nothing particularly cold or capricious about it - we're troubadours and lead a troubadour's lifestyle.
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Demolishing pretensions, especially worthy ones, is a hallmark of the baby boom.
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The past, the present and the future are really one: they are today.
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I've watched and learnt from DJs and remixers and paid way more attention to how I want my voice to sound. Before, as long as it was loud and in tune it was fine. I've discovered the difference made by various microphones and effects, so each track has a different vocal sound, my voice is woven into everything and it's above everything.
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I learned a great lesson early on, even before I was really an actor, from that movie 'Planes, Trains & Automobiles' that John Hughes made: that you could make a movie that's really, really, really, really funny, and sometimes you can still achieve... making the audience feel very deep emotions as well.
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I didn't begin my life in 1975 with 'Horses.' I recorded 'Horses' in 1975, but was drawing in Paris in 1969.
