Peter Diamandis Quotes
Quotes to Explore
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I read part of it all the way through.
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You know, I'm an African-American quarterback. That may scare a lot of people because they – they haven't seen nothing that they can compare me to.
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I'm consistently telling stories about the value of the human condition and connectedness and things like that.
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I search for surprise in my architecture. A work of art should cause the emotion of newness.
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I believe God knew what he was doing when he put oil under our ground. It should be a means to an end.
Olusegun Obasanjo -
I think the new generation is much more demanding about respect for the environment than we have ever imagined.
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After seeing 'Big,' I wanted an elevator that opened directly into my apartment, just like Tom Hanks did.
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Modern man must descend the spiral of his own absurdity to the lowest point; only then can he look beyond it. It is obviously impossible to get around it, jump over it, or simply avoid it.
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Do you know what I love about hunting? That I am no one in the woods, no one at all. I thought the animals might recognize me, but they didn't. They did not even ask me for any autographs.
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I'm reading today because of 'Encyclopedia Brown.'
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Winning, you can overlook so many things.
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My first Top of the Pops I didn't want to do. I was terrified. I'd never done television before. Seeing the video afterwards was like watching myself die.
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I grew up on 'Battle of the Planets.'
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While I am not saying Facebook cannot be a wonderland for marketers, I am still waiting to see the proof of it, and so should every reporter.
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Curiosity begins as an act of tearing to pieces or analysis.
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So many people love sci-fi, and they're so loyal.
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My definition is that geo-enlightenment is understanding the interconnectedness of things.
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I love going to the local market and seeing friends that I grew up with... and having conversations. I love the community of Bayonne.
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I'm intrigued by people who are super adept at manipulating their own image. We all do it to a certain extent.
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I always start with the music and then try to figure out what I want to write about lyrically.
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I actually don't see that strong of a connection between my background as a rock 'n roller and my early films. In a way I think your musical identity in film work is determined by the jobs that come your way.
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The way I see it is that all the ol' guff about being Irish is a kind of nonsense. I mean, I couldn't be anything else no matter what I tried to be. I couldn't be Chinese or Japanese.
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What I would do is bring that money home and invest it in education.
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The fact is that data are worth a lot of money.
