Jo Nesbo Quotes
My influence is probably more from American crime writers than any Europeans. And I hardly read any Scandinavian crime before I started writing myself. I wasn't a great crime reader to begin with.
Quotes to Explore
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The reason a poet is a poet is to write poems, not to advertise himself as a poet.
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Kids are taking music for free all the time. They have Spotify, Pandora... The record companies aren't making the kind of music that they used to make. Artists make their money on tours, not from album sales.
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I was obsessed with the idea of going to college. And I took many years off after that, so I sort of missed the weird, crazy transition that was what making movies was in the nineties to what's happening now.
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Giving people some kind of control over what they do is important. Human beings don't do their best work under conditions of control.
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I love people, and the hustle.
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A new reader shouldn't be able to find you in your work, though someone who's read more may begin to.
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Fear may very well be a caveman fear of the predator, of the giant lizard chasing them - maybe that's what Steven Spielberg connects with so well in Lost World.
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By adversity are wrought the greatest works of admiration, and all the fair examples of renown, out of distress and misery are grown.
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Looking beautiful isn't just about what you apply on your face. It's the little things you do that matter. A combination of a good diet, exercise, healthy habits, discipline, dancing etc. is what my beauty routine consists of. Also, I have no bad habits; I don't drink or smoke. All these contribute to me being fit and looking good.
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If the constitution goes, I go.
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Academic institutions in Britain have been infiltrated for years by dangerous theocratic fantasists. I should know: I was one of them.
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My own idea is that these things are as piffle before the wind.
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Who can map out the various forces at play in one soul? Man is a great depth, O Lord. The hairs of his head are easier by far to count than his feeling, the movements of his heart.
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The gremlins are clearly the ones have the most fun in the film, trashing the town, going to the bar, smashing things, etc. It's all gleeful chaos, which makes the movie fun.
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You just have to take these opportunities when they come along. They're not that frequent; you'll get a really good script, oh, maybe once a year if you're lucky.
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I'm a visual person - when I write, my input is always visual. I worked in television for several years.
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Chermoula is a potent North African spice paste that is ideal for smearing on your favourite vegetables for roasting.
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If I am who I am, I'm provocative, candid, and androgynous; there's nothing I can do that will make any fan think, 'I didn't expect that from her.'
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Become a worry-slapper. Treat frets like mosquitoes. Do you procrastinate when a bloodsucking bug lights on your skin? 'I'll take care of it in a moment.' Of course you don't! You give the critter the slap it deserves. Be equally decisive with anxiety.
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I think people need to understand that with plays and with cinema, when you hear about it, call and get a ticket then or go and see it then. It's especially with the play, which I can do because it's a limited run.
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The day I will never forget is the day I married my wife, Tashera. Tashera is so special to my boys and me. Her energy is enough to put anyone on a cloud. Her dedication and care gives me comfort and ease.
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I'm very finicky about when I'm in the right mood to write. So most days, I find some excuse not to do anything.
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My writing's like a journey. I'll know some of the stops ahead of time, and I'll make some of those stops and some of them I won't. Some will be a moot point by the time I get there. You know every script will have four to six basic scenes that you're going to do. It's all the scenes where your characters really come from.
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My influence is probably more from American crime writers than any Europeans. And I hardly read any Scandinavian crime before I started writing myself. I wasn't a great crime reader to begin with.
