Callie Khouri Quotes
I call myself a feminist, not a feminist filmmaker. If somebody asked me if I had a feminist sensibility it would be pretty hard to deny, but is it the theme of my work? Not necessarily. I'm interested in a lot of things.
Quotes to Explore
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Back then I said to myself 'screw football.' Actually I just took part in this camp as there was nothing better for me to do. They also didn't draft me because they thought I was too wild and undisciplined.
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I'm involved in music and fashion a lot more than I used to be, so my style has definitely changed - for the better, of course. It's given me greater insight into what colours work, what looks good on camera, and what I feel comfortable in.
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My background playing soccer gave me a natural advantage over many of the American-born players.
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When you're still, and some actors are really brilliant at that, you bring a kind of energy to you as opposed to sending the energy out. There are some actors, like Gary Cooper or Kevin Spacey, that are absolutely brilliant - Gene Hackman is another - at being and allowing the audience to just do the work.
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I think I'm developing a kind of subconscious loathing of the word 'franchise.' I just think of something that's packaged, something you can buy on a shelf and is immediately disposable. I don't know. It's a really weird word for me.
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Usually when you're working is when people want you to work. They don't want you as much when you're not working. That's the frustrating nature of our business.
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No one put pressure on me to go to the Olympics; once I'd got the qualifying mark, I just couldn't say no.
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If my own current husband was suddenly a stay-at-home dad, it would be emasculating. That would be hard for me.
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For fiction, I'm not particularly nationalistic. I'm not like the Hugo Chavez of Latin American letters, you know? I want people to read good work.
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If there are negative people around me, I just try to distance myself from that.
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The American Dream is that any man or woman, despite of his or her background, can change their circumstances and rise as high as they are willing to work.
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I decide immediately if I like a person and if I do, then I'm myself, and if I don't, then I give nothing.
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I have been desperate to escape for so many years now, it is routine for me to try to escape.
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I have to remind myself when I'm on a job and I'm feeling a lull in attitude or confidence or whatever, I'm there for a reason. I have to constantly remind myself of these almost corny Pinterest mantras, like 'You are worthy.'
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I can't really see myself as an artist. Now, to step out here and there, do it when I feel like it, that's a possibility. But for me to be a full-fledged, full-time artist in the industry, I don't think so.
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Human connection is the way things work. It's like a patronage system. You know somebody, and he knows somebody, and he knows somebody, and he knows the district governor, and it's okay.
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I ask myself what I can do to become like Messi and Ronaldo and score 50 or 60 goals in a season.
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When you're heartbroken, you're at your most creative - you have to channel all your energies into something else to not think about it. Contentment is a creativity killer, but don't worry - I'm very capable of making myself discontented.
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I gradually work myself into a frenzy as the shoot approaches, while we're choosing the costumes or working with the make-up artist. I'm not so much interested in my character as the film itself.
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A stupid man's report of what a clever man says is never accurate, because he unconsciously translates what he hears into something that he can understand.
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Sometimes, you can get too big when you feel too good.
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At 18, I finally came into a relationship with a record label. My family got back on its feet. I was happy.
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Most female models don't have any muscle mass.
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I call myself a feminist, not a feminist filmmaker. If somebody asked me if I had a feminist sensibility it would be pretty hard to deny, but is it the theme of my work? Not necessarily. I'm interested in a lot of things.
