Callie Khouri Quotes
Quotes to Explore
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Nietzsche claimed that his genius was in his nostrils and I think that is a very excellent place for it to be.
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I just realized quite early on that I'm not going to be the type who can write a novel every two years. I think you need to feel an urgency about the act. Otherwise, when you read it, you feel no urgency, either. So I don't write unless I really feel I need to, and that's a luxury.
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I like computers as a tool. I like them as an instrument. I think they're just pretty.
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Of course people think Washington is arrogant. It is.
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I'm a bit of a 'Throny,' as I think the 'Game of Thrones' fans refer to themselves.
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I call myself a feminist, not a feminist filmmaker. If somebody asked me if I had a feminist sensibility it would be pretty hard to deny, but is it the theme of my work? Not necessarily. I'm interested in a lot of things.
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I enjoy the sari. I think it's the sexiest garment ever. It shows you the right amount, it covers the right amount, it's extremely versatile, it suits every body type, it suits every face.
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Well what I will tell you is for this movie, I got into probably the best shape of my life.
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A fair question could be posed in this fashion: If people are not obeying existing laws, what makes us think they would obey any new laws?
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People always come up to me now and say, 'Watchmen' is the best superhero movie ever made.' I'm always saying 'That's super cool. That's nice of you to say.' But it happens now, more and more and more than it did when it first came out.
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I think because Sport Lux has come in and leisure wear is a new thing, girls can sneak in hoodies and leggings and so on where they wouldn't normally - it has been proper legitimate fashion.
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One minute, it seemed I had more movie offers than I could handle; the next – no one wanted me.
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I've always been interested in how people think, how they react to challenges in their lives - what makes people tick. I've also always been passionate about social issues and causes, and I wanted to make films that addressed important issues in very human terms.
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I would love to do a 'Scream'-type movie.
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I really have no preference between TV and film. I think that each individual project is its own thing and has a very different style.
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The demand in India is to have a hit, which becomes a promotion for the movie and makes people come to the theater. You have five songs and different promotions based on those. But when I do Western films, the need for originality is greater. Then I become very conscious about the writing.
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I don't think I was really addicted. I used it as a party tool.
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If I recall correctly, I think I signed my first contract with Tor in 1983.
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You come out of drama school and do theatre and are interested in creative endeavour, then you drift into TV and movies and realise that artistic endeavour needs to balance with financial success. There's no point spending millions on a movie that doesn't make any money, because the people producing it won't make another one.
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The monotony of a long heroic poem may often be pleasantly relieved by judicious interruptions in the perfect succession of rhymes, just as the metre may sometimes be adorned with occasional triplets and Alexandrines.
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For Americans of the Greatest Generation that fought World War II and of the Silent Generation that came of age in the 1950s, the great moral and ideological cause was the Cold War. It gave purpose and clarity to our politics and foreign policy, and our lives.
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One of the first things I picked up when I was very, very young out of a record store was work from Peter Saville - the early things he used to do for Factory Records.
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My wife was the first art collector in the family, and I didn't become interested until around 1973. The first important artwork we bought was a Van Gogh drawing of two peasant houses in Saintes-Maries-de-la-Mer.
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I didn't think of 'Thelma and Louise' as a feminist movie.
