Joan Didion Quotes
Quotes to Explore
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The line between private and public lives is a fertile one for me. I've lived quite a public life, and it's the reason I have used well-known people in my work. I'm interested in what's going on beneath the facades they present to the world, taking them to a place which is uncomfortable.
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Sometimes 'Rookie' is written about like, 'Finally! Something for alternative girls!' and I'm like, 'No!' Obviously it's not for everyone, but I used to think that there are cheerleaders, and there are art kids.
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The first thing I read was of my character on the phone talking to Sydney's fiance. Though short, it was so beautifully written, and it made me laugh. I thought if I wanted to play a character, this would be it.
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My way of relaxing was always doing the opposite and playing the drums, but I need to be able to actually chill.
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I love comedy; I'm very goofy and spontaneous.
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You're in the lap of the gods. If people go, they go, and if they don't.
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That image is a couple different people's homes that I knew growing up.
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A standard line, promoted by people like Clement Greenberg, is that politics contaminates art, and Manet is often cited as an example of art for art's sake.
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In a sense I portray myself in a very androgynous way, and I love androgyny.
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I'm confident and really optimistic.
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Young actors often don't think of the consequences of doing nudity or sex scenes. They want the role so badly that they agree to be exploited, and then end up embarrassing family, friends, and even strangers.
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It is not proper to project our feelings onto things or to attribute our own sensations and passions to them. Can it also be improper to see in them a guide, a way of life?
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I just work hard and do things as they come along. But it has been a challenge to learn that I have to say 'no' to things and to know how and what to prioritize.
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I enjoy my food. I like to grill; I do that a lot. I like meat and have big dinners - steak, red meat splurges, prime cuts.
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I like to see the difference between good and evil as kind of like the foul line at a baseball game. It's very thin, it's made of something very flimsy like lime, and if you cross it, it really starts to blur where fair becomes foul and foul becomes fair.
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I want to be like a Muhammad Ali, like a Julio Cesar Chavez. So when people talk about boxing, they have to remember Canelo.
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Years ago women of my size were considered royalty.
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I am always attracted to the moments when a person who is associated with a certain message, image or sensibility evolves. I am very interested in how audiences respond to that maturation and absorb the evolution.
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It's fun to work the robotic arm in part because it's really a team effort.
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I've always been a bit of a mix between art and technology. I used to paint a lot, but I'm not very good with my hands. It has always been a fusion between my computer gaming interests and being exposed to the rich data of society that we live in.
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I'm also tired of hearing about 'innocent victims'. This is an outmoded idea. There are no innocent victims. If you live on this planet, you're guilty, period, fuck you, end of report, next case. Next fucking case! Your birth certificate is proof of guilt!
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In every high school, there is a clique.
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All winning teams are goal-oriented. Teams like these win consistently because everyone connected with them concentrates on specific objectives. They go about their business with blinders on; nothing will distract them from achieving their aims.
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We tell ourselves stories in order to live.
