Sam Taylor-Johnson Quotes
The line between private and public lives is a fertile one for me. I've lived quite a public life, and it's the reason I have used well-known people in my work. I'm interested in what's going on beneath the facades they present to the world, taking them to a place which is uncomfortable.
Quotes to Explore
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There is one confrontation scene toward the end of the picture. In the middle of the scene, I thought, That's Sean Connery! I don't know how else to describe Sean Connery. I still feel that way.
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I took my acting very seriously. I did over 40 films, and naturally, some of them were called B-movies because the woman was at the top of the billing. Women couldn't star in their own movies.
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You must remind yourself at all times that the golf ball is nothing. It's an object. It's something to be swatted and sometimes lost and not even looked for.
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Money brings a lot of responsibility as to what you're going to do with it, and I've given quite a bit of thought to that.
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We're all basically made of the same stuff: generosity and selfishness, goodness and greed.
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Waste Management was based in Chicago, but I lived in Ft. Lauderdale and for 10 years had to commute to work - catch the 5 P.M. Sunday flight to Chicago and the midnight return flight on Friday.
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Accept loss forever.
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I took the position from day one that it was the right decree, that the modifications I made to the decree were proper, that the correct outcome had been obtained, and that in due time all of that would become apparent. And it has become apparent.
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The most important thing is to just be good at what you do. You do a good job playing the character, and people will be taken up with your character, not your clothes.
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I'm easily entertained.
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Don't you believe that there is in man a deep so profound as to be hidden even to him in whom it is?
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I could live very quietly, do advertising to earn money.
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It's nice for me to be in touch with a younger generation.
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We ended up realizing that's not an economical way to create creatures, putting people in green leotards and figuring it out later. You can maybe do that if you're making 'Avatar,' but we need to know what the creatures look like before we turn on the camera.
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Eurasia is home to most of the world's politically assertive and dynamic states.
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My work on human capital began with an effort to calculate both private and social rates of return to men, women, blacks, and other groups from investments in different levels of education.
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Commonsense is the realised sense of proportion.
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Humor is always more interesting when it comes from someone who's had more than, like, five experiences.
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People can be inspired the way I've been inspired by music.
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Only free people have an incentive to be virtuous. Only people who bear the consequences of their own acts will care about those consequences and try to learn from their mistakes.
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I can't say this enough, I'm totally comfortable with my body. I like my body, I don't think it's a bad thing, I think I have a nice body, I'm happy with it.
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I don't call cut between the takes - it's my way to help the actor keep focused. As soon as you say 'cut' you have 10 people jumping on them and everybody's trying to do a great job, and they do, but sometimes they forget that the more important thing is the performance, creating the performance.
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An early attempt at education choice was charter schools. These were meant to attract the best and brightest students and provide them a level of education they often could not find in their local school districts. The problem is that, of the thousands of charter schools, many are outright failures.
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The line between private and public lives is a fertile one for me. I've lived quite a public life, and it's the reason I have used well-known people in my work. I'm interested in what's going on beneath the facades they present to the world, taking them to a place which is uncomfortable.
