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Call me the author.
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I no longer want reminders of what was, what got broken, what got lost, what got wasted.
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You think you have some stable talent that will show no matter what you're writing, and if it doesn't seem to be getting across to the audience once, you can't imagine that moment when it suddenly will. Gradually, gradually you gain that confidence.
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When I'm working on a book, I constantly retype my own sentences. Every day I go back to page one and just retype what I have. It gets me into a rhythm.
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A lot of the stories I was brought up on had to do with extreme actions - leaving everything behind, crossing the trackless wastes, and in those stories the people who stayed behind and had their settled ways - those people were not the people who got the prize. The prize was California.
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I've never been keen on open adoption. It doesn't seem to solve the main problem with adoption, which is that somebody feels she was abandoned by someone else.
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To those of us who remained committed mainly to the exploration of moral distinctions and ambiguities, the feminist analysis may have seemed a particularly narrow and cracked determinism.
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We tell ourselves stories in order to live.
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Novels are like paintings, specifically watercolors. Every stroke you put down you have to go with. Of course you can rewrite, but the original strokes are still there in the texture of the thing.
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I was no longer, if I had ever been, afraid to die: I was now afraid not to die.
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We all survive more than we think we can.