Joan Hickson Quotes
I watch these old films in black and white, and suddenly the door opens, and there I am. The other day, I was wearing the most awful hat.
Quotes to Explore
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At some hotels, I feel like I have to be dressed to the nines - perfectly eccentric - to walk out the door.
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The essential relationship across American history between black people and white people is one of exploitation and one of plunder. This is not, you know, necessarily about, you know, whether you're a good person or not or whether you see black people, you know, on the street, and you're willing to shake their hands and be polite.
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When in life do you get a black and white printout that says this is what you should do? It just doesn't happen.
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Because of where I come from, I never thought I'd see in my life a black candidate running for President.
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One of my personal plights in this business is about playing 'The Sassy Black Girl.'
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After Halle Berry does her films and Queen Latifah does her films, it's left to all the black, Latino and Asian actresses to fight over a couple of roles. I opted for some TV. There's just not a ton of work in film.
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My dream part would be to play Mitt Romney's sarcastic black maid. We could call it 'Mammy & Me.'
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Black people must address itself to the causes of poverty. That's oppression in this country.
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It's an ongoing joke that a black man is always the first one to get killed in movies.
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Do I feel that white directors have to tell only white stories? No. Do I feel that black filmmakers should only tell stories about black people? No. If we say that, then that means Asian people cannot write about anybody but Asians. I don't think a woman should only write about women.
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I think that it's hard enough being an adolescent and wanting so much to fit in with your peers, your schoolmates, and to erase any sign of difference, to be part of the group. And being biracial but also being black in a predominately white school marked me as different.
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Black people were very angry with me for writing the book. A lot of people didn't believe me, or didn't want to believe me, and that used to really bother me. It was a very painful and difficult time.
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I wrote a script with my brother which ended up, somehow, on the Black List in 2008.
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After two years at UCLA, I decided to leave. I was convinced that no amount of education would help a black man get a job.
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When I was eight years old, I wrote a paragraph-long short story about a goat on my mother's hundred-pound, black-and-white-screen laptop. The story came about largely because I liked the way the word 'goat' looked on the page, but I decided then and there that I wanted to be a writer. That desire never changed.
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I would never say that being Bob Marley's son has been a pressure. It has been a door opener.
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In a typical history book, black Americans are mentioned in the context of slavery or civil rights. There's so much more to the story.
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Children will go with any story as long as it's good, but white adults sometimes think that if a black child's on the cover, it is perhaps not for them.
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It was Toto that made Dorothy laugh, and saved her from growing as gray as her other surroundings. Toto was not gray; he was a little black dog, with long silky hair and small black eyes that twinkled merrily on either side of his funny, wee nose.
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The Marsh King raised himself up and ushered me out the door with the air of a host who has just realized he is one guest away from a comfortable nap.
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There's so many people that dislike you all the time, so when somebody loves anything that you do, you go 'Yes! Finally!' Even if it means the dyn-o-mite thing.
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It's different for each individual. It's different when you talk about homosexuality. It's different when you talk about a malady like deafness. Everybody might have a different response to that and that's what makes it an interesting subject to throw in a movie.
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I watch these old films in black and white, and suddenly the door opens, and there I am. The other day, I was wearing the most awful hat.
