Joe R. Lansdale Quotes
Quotes to Explore
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This was just one of many times God has spared me.
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No matter how good you are, how brave you are or anything, it comes down to that car so many times. Not every time, but so many times.
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Leaving the old, both worlds at once they view, That stand upon the threshold of the new.
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I was always interested in the kind of history they didn't teach you in school.
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I am not a person to be pressured - by anybody or any nation.
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I always think it's because of you know hard work, hard training. And if Susie's training hard, you know, why can't I train hard to get a world record. I'm doing the same thing.
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I'm still having fun, and I'm doing something and I'm seeing the world! I wasn't massively ambitious, but I did always want to do the best I could do.
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Democracy requires common ground on which all can stand, but that ground is sinking beneath our feet, and democracy may be going down the sinkhole with it.
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All my fiction starts from a feeling of unique perception, the pressure of a secret, a story that needs to be told.
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I was reading about all of these medical and psychological experimental programs that the government and various intelligence agencies had run throughout the 20th century. Any book you can read on that, there's some really horrifying and fascinating stuff that goes on there.
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The greatest desire of my heart was for the Lord to manifest His will concerning me.
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I was, by the way - I'm an Essex lad, born and raised in Essex in the U.K.
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A lot of recent comic book adaptations have gone two ways: either they're striving for some kind of realism, like 'Iron Man' or 'The Dark Knight,' or they're very stylised and gritty, like 'Sin City' and '300.'
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Comedy is such a vulnerable thing. With drama, you're not trying to make someone cry. If you do, great, but that's not your goal. With comedy, you're trying to make someone laugh, so to me, it's harder because you are in such a vulnerable position. You're like, 'I hope people like this. I hope I do the joke justice.'
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The Queen's wedding dress in 1947, there was some embroidery on the train which was definitely there to illustrate new dawn/post-war optimism, that sort of thing.
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January 30th will be a historic day for the Middle East and the world. The Iraqi people will take the next step toward a free and democratic society as they place their votes for a transitional Iraqi government.
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For each episode the five of us are all wearing clothes by the same designer. It's a different designer for each episode, but for each one we're all wearing their clothes.
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Come on, we would be foolish to say that there's never been African-American leads in some capacity, people of color in some capacity, leading shows or what have you. But it hasn't happened enough and in a manner that is an accurate reflection of the world that we live in.
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The idea of fighting your new girlfriend's ex-lovers, 'Street Fighter' style, is the ultimate geek wish-fulfilment.
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I hit the ball early and move my wrist a lot, so I get bigger angles.
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The need to speak, even if one has nothing to say, becomes more pressing when one has nothing to say, just as the will to live becomes more urgent when life has lost its meaning. (p. 30)
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That's because only a real artist knows the actual anatomy of the terrible or the physiology of fear - the exact sort of lines and proportions that connect up with latent instincts or hereditary memories of fright, and the proper colour contrasts and lighting effects to stir the dormant sense of strangeness.
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I try not to repeat a story. I try not to repeat an emotion. I want it to be all sort of new for the viewers and to challenge myself as a writer, so there's always pressure. What else can you come up with?
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Ray Bradbury taught me the importance of metaphor and simile and poetic style.
