Jocelyn Moorhouse Quotes
I feel L.A. is unlike anything I've experienced. It's nice when I can relate to people, but that's not very often. I know they're out there, but I feel that there's a very big pressure here to be seen as being gorgeous and special. I don't think there's the same pressure in Australia.
Quotes to Explore
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Don't let nobody tell you that you can't do it. Love what you do until you don't love it anymore. Nothing's impossible.
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It was at Inver Slane, to the north of Leinster, the sons of Gaedhal of the Shining Armour, the Very Gentle, that were called afterwards the Sons of the Gael, made their first attempt to land in Ireland to avenge Ith, one of their race that had come there one time and had met with his death.
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In the day-to-day, farm work is stress relief for me. At the end of the day, I love having this other career - my anti-job - that keeps me in shape and gives me control over a vegetal domain.
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In my own life, I believe it was an early education in poetical metaphor that helped me to grapple with and make sense of all the difficult and traumatic things that were to come.
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I'm pretty proud of my film music in general.
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There's no biography so interesting as the one in which the biographer is present.
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I'm a vegetarian and very much active in regards to how I feel about animal rights and protecting animals and giving animals a voice. But at the same time, I appreciate and respect other people's decisions to eat meat. The only thing that I hope is that people are educated, that they're aware, that they're living a conscious lifestyle.
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By the time I got to Bournemouth Art College, I'd been so inspired by Sam Raimi and Robert Rodriguez and their tiny, no-budget films that I decided to do a feature-length version of 'Fistful Of Fingers.'
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I'm free - but I'm also not free because there are millions of young people living in Iran. A filmmaker can only do a little.
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I've got no respect for any young man who won't join the colors.
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I believe that my parents did wonderful things for us.
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I was always interested in fashion and beauty. I was fifteen when I was scouted in a flea market. Two years later, I arrived in New York. I was in awe because it was like another planet.
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Some artists are working to buy the mansion or whatever the element of fame must bear, but I spend all my money on my show.
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An appeal to fear never finds an echo in German hearts.
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As long as you get your education and you stay focused, you can do anything.
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My hand is the extension of the thinking process - the creative process.
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The condition of rage is one in which I find myself starting my day - once I see the news headlines.
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I really like reaching out and seeing the audience - they're potential audiences! And on occasion I can make them excited about going to the theater again, if they've ceased or gone less.
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Directing is a rarefied business. And you see very few women pass that Rubicon.
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It is more raw and unfettered and I'm more likely going into something you could call extreme cartooning. There's a lot of that in the course of 'Holy Terror.' There are interludes where there are pictures - cartoon pictures - of modern figures and they are all wordless. It's up to readers to put the words in.
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I find any sort of acting that doesn't have any humor in it is mind-numbingly boring. 'Serious acting' is the kind of acting that I don't ever respond to.
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But the single overwhelming reason why jails are bursting is longer sentences given for more crimes.
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I feel L.A. is unlike anything I've experienced. It's nice when I can relate to people, but that's not very often. I know they're out there, but I feel that there's a very big pressure here to be seen as being gorgeous and special. I don't think there's the same pressure in Australia.
