Joe Penny Quotes
Quotes to Explore
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Because I'm so hands on here at work and always looking at fabrics you have to be mobile and as comfortable as possible.
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The cutting room is where you discover the optimal length of the movie.
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I'd really love to work with Quentin Tarantino. There's so many people that I'd love to work with, but there's something about Quentin, and one of my all-time favorite films is 'Kill Bill.' Something along those lines would be such a blast.
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How do you deal with a criminal that will not listen to what you have to say and who continues his policy of violence? Some say you continue to talk and let him tire himself out. But nearly 40 years after the institution of apartheid, is there anyone who still believes that verbal persuasion will work?
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What's better, a poetic intuition or an intellectual work? I think they complement each other.
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The workingmen have perceived that women are in the field of industry to stay; and they see, too, that there can not be two standards of work and wages for any trade without constant menace to the higher standard.
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We have a vision of South Africa in which black and white shall live and work together as equals in conditions of peace and prosperity.
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Focus comes a lot more easily when you desperately want the results of your own work - nobody else is going to do it for you.
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Every single time you make a merger, somebody is losing his identity. And saying something different is just rubbish.
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I wanted to work with Bryan Singer because I like his films.
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Patience is the ability to idle your motor when you feel like stripping your gears.
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I always say, one way to connect with a working mother is to ask her what she has done before work that day!
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In 2008, the Nobel Prize in Chemistry was awarded for work done on a molecule called green fluorescent protein that was isolated from the bioluminescent chemistry of a jellyfish, and it's been equated to the invention of the microscope in terms of the impact that it has had on cell biology and genetic engineering.
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I love that I love my job, and from what I'm told, that others who I work with do, too.
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It's hard separating work from personal life.
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Plots may be simple or complex, but suspense, and climactic progress from one incident to another, are essential. Every incident in a fictional work should have some bearing on the climax or denouement, and any denouement which is not the inevitable result of the preceding incidents is awkward and unliterary.
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You cannot work and be at home with your child. But you want both.
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I have no interest in making a work that doesn't elicit a feeling.
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I try to work on all aspects of my game, whether it be run, pass. I think you can never stop growing, and I definitely take that mindset. You've just got to keep on grinding.
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I have to warn you: I bet horses like a girl.
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I had very supportive parents that made the way for me, even at a time when there were very few women - no women, really; maybe two or three women - and very few, fewer than that, African-American women heading in this direction, so there were very few people to look up to. You just had to have faith.
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I don't need anything to live, to be honest. Give me a mattress or a futon on the floor and I'll be the happiest camper.
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But I've become completely obsessed with taking photos on my iPhone. I have like 400 apps.
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You get used to that work mode, get used to always doing something.
