Joe Penny Quotes
Quotes to Explore
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Incendiary capitalism is carrying its out evil works more dangerously than ever, and is doing so in the increasingly dangerous neighborhood of the powder kegs that are the great European military powers.
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I think film writing, you're thinking in pictures, and stage writing, you're thinking in dialogue. In film writing, it's also, you only get so many words, so everything has to earn its place in a really economical way. I think for stage writing, you have more leeway.
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I am not sure that you, the younger generations, will like to go to war that we went through. So, we learn as the mistakes are being committed.
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Given that external reality is a fiction, the writer's role is almost superfluous. He does not need to invent the fiction because it is already there.
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We're trying to always expand Smosh and make Smosh a big thing.
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I've only chosen films that offered me something concrete, even if it is less than what I get to do in the South.
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Since I played a warrior in 'Magadheera,' my character sported shoulder-length hair and a thick beard.
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I think that if you do want to be a fighter, then you need to work harder than everybody else and make sure that you surround yourself with good people, especially if you're a woman. You've got to find a team that takes you seriously as a female fighter and is not going to rush you into the ring before you're ready.
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Life started getting good when I started making money.
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Of course the United States and Russia have different interests. Nevertheless, both are strategic partners.
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My experience is that's rare - that you have a script that is... what they call 'film-ready.'
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My function as a writer is to provide an atmosphere in which people can think wisely about what we're doing on this planet.
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I know what I'm having 'em put on my tombstone: 'I have nothing more to say'.
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If you could stay at this stage - you're 17, and you're always going to be in love with your first love - that's probably attractive.
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The first thing I ever saw Bradley Cooper in was 'Wedding Crashers.'
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I came out of what we romance writers call The Romance Ghetto, because we get so little respect.
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It takes little talent to see what lies under one's nose, a good deal to know in what direction to point that organ.
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I am much more interested in the process than results.
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Do we really have to wander around apologizing for enjoying plot, just because James Wood and a few dozen other arch-aesthetes sniff at it? It's like being careful not to sing pop songs in the shower because some guy in the local alt-weekly is a music snob.
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There's something about doing theatre in London - it sinks a little bit deeper into your soul as an actor. It's something about the tradition of theatre, about performing on the West End stage.
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Our whole practical government is grounded in mob psychology and the Boobus Americanus will follow any command that promises to make him safer.
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In 1941 I finished at Allison Intermediate School (grades 7-9), and started at North High School, commuting by bicycle about 5 miles from home to school.
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Broccoli gets such a bad rap. This is perplexing to those of us who love that green, treelike, stalky vegetable.
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Working in TV films has a lot of advantages over the daily grind of doing an hour series.
