Daryl Franklin Hohl Quotes
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I'm very enthused about everything. I have a lot to say and a lot of things I'm interested in.
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My house is actually two houses that were deconstructed. They were Connecticut Valley houses built in 1771 and 1781. I took them down piece by piece and reconstructed them about 50 miles to the west on the New York/Connecticut border.
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To me, there's two kinds of music these days. There's ephemeral music, and there's music that has lasting power and depth.
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Smokey Robinson is one of my heroes as a singer and songwriter; a major influence on my own music from the very start.
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To write a good song, an artist has to drawn from reality. There has to be some spark from realism that communicates a real feeling to someone else. You have to be real. Or you have to be a really good storyteller.
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I was just like a 21st century person waiting to be born, and this is the medium that I thrive in. And I feel stronger now than I did any time since I've been a teenager - I mean, musically, creatively.
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I've watched the world crash and burn in every sense. I've watched the record industry crash and burn; politically I've watched it crash and burn, financially crash and burn.
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I'm in the trenches; I do the best work I can always do. Having said that, the way that what I do converges with the outside world is fascinating to me. Because it ebbs and flows. People's interest and understanding, it changes all the time.
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I hear a lot of people singing in funny voices and singing like they're stupid. Singing in a deliberately fey and dumb and childish way. And I find it to be a disturbing trend.
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Reject what you don't want. Get rid of dead wood.
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The difference between me and other people in my generation is instead of saying the Internet's killing the record business, I say, 'Who cares about the record business, the Internet is enhancing music.'
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Everybody who I ever cared about has told me that they like my music: Bob Dylan, Paul McCartney, Al Green, The Spinners, Smokey Robinson. Everybody that matters.
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As a singer, I float around. I'm kind of scatty, bouncing around a lot. I try to adapt to what's going on around me in the song and the arrangement.
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When I was a kid, I always looked up to people like B.B. King and Ray Charles.
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Traditionally, duos get accused of lots of things.
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When you're playing in front of people, everything is external. It's all going from you out to an audience. When you're in a studio, it's very internalised, it's going from the air through you into this meticulously crafted, layered piece of work.
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If you see me walking down the street, you're gonna see the same guy as you do on stage, dressed the same, looking the same, and nothing changes. I'm just one person.
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I'm just about the best singer I know, and it's time for everybody to say that. I have total facility with my voice. And for some weird reason, critics don't talk about it.
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Having a solo career is a funny thing.
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The biggest honor of my career was when I won R&B Artist of the Year back in the 1970s. I look at that as a major honor.
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I've got a sense of humor. I'm a funny guy.
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This illness made it impossible for me to give my best effort to our audience, but now that it's been identified, I'm looking forward to a complete, quick recovery and to get back out there with John as soon as possible.
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What I do isn't black music; it's just my music.
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The Philadelphia/New York world of the music business is a tough place to be.