Jodie Comer Quotes
Quotes to Explore
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The whole of our national sport is not doing very well.
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As a reader, coming to my reading as a writer immersed in fairytales, I can't help but notice in so many stories, plays, poems that I read, the sort of breadcrumbs of fairytale techniques, so I'm very excited when I notice that.
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I'll tell you something: my dad was a nuclear engineer and he was really bright, and I've always said that because of negotiating at such a young age with my dad, it was really such a gift because I could then negotiate with very difficult personalities - and not end up being the scapegoat. I learned to really pick and choose my battles.
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I'm an old trial lawyer.
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I'd love to play a Bond villain. Yeah, I'd love to play a Bond villain. Everyone always says this to me; they always say, 'You've got to be a Bond villain', 'We're going to make you a Bond villain...' But they've never, ever approached me, I've never had a whiff of it. I think I'd love to play a Bond villain; I'd have great fun.
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Maybe one of the only things I do well: I cook like a maniac! I would be a chef if I weren't an actor.
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I want to do to you what spring does with the cherry trees.
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I feel that World Cup cricket should be played like football in which all the 160 countries take part. If only a handful of countries are going to keep on playing in the World Cup without making the game popular, I will be a sad man.
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I used to just sit in the living room and make up songs on the keyboard.
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Have you seen that show on Lifetime about that woman...?
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One is taught by experience to put a premium on those few people who can appreciate you for what you are.
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I'm not the sort of writer who can walk into a party and take a look around, see who's sleeping with whom and go home and write a novel about society. It's not the way I work.
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I'm not an actor because I want my picture taken. I'm an actor because I want to be part of the human exchange.
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If you get conquered by ego, then you are losing the fight.
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Writing for theatre is certainly different to writing an essay or any other kind of fiction or prose: it's physical. You're also telling a story, but sometimes the story isn't exactly what you intend; maybe you uncover something you had no idea you were going to uncover.
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Life is never fair, and perhaps it is a good thing for most of us that it is not.
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My budget is similar to the Penny Plan, which cuts 1 percent a year for five or six years and balances the budget.
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'In Praise of Slowness' chronicles the global trend towards deceleration that has come to be known as the Slow Movement. Don't worry, though: it is not a Luddite rant. I love speed. Going fast can be fun, liberating and productive. The problem is that our hunger for speed, for cramming more and more into less and less time, has gone too far.
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Time is the best preserver of righteous men.
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One reason for making and exhibiting a work is to induce a reaction or change in the viewer.... In this sense, the work as such is nonexistent except when it functions as a medium of change between the artist and viewer.
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Fate is a sempiternal and unchangeable series and chain of things, rolling and unraveling itself through eternal sequences of cause and effect, of which it is composed and compounded.
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All things are subject to decay and when fate summons, monarchs must obey.
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You will always have value and nothing can change that.
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I'm a big believer in fate, and it's working out well so far.
