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I think theater is the strongest place to find what's missing in entertainment. Unfortunately, it pays the least.
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I think that, unfortunately, it appears that Donald Trump is trampling all over the Constitution.
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Most of my career I purposely spent doing good guys.
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It's a very different thing when you're creating the world as opposed to when you're just part of the world. I love the detail of it, the problem-solving of it, and I love working with actors.
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I came into the industry at a time when there weren't a lot of choices to what you could do.
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When I started off many years ago, I made a determination that there were certain roles I didn't want to play.
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I love doing movies but I loved doing theatre just as much.
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It's funny: We have so many shows and so many channels and so many things to occupy people as entertainment, especially with a show like 'Scandal,' which is clearly a hit, with a lot of heat around it - but every once in a while, people will say, 'What are you doing?' and I'll say 'Scandal,' and they'll have no idea what I'm talking about.
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Because of 'Terminator 2,' you get not pigeonholed but circled as one of those guys who can understand their way through a movie like that and hold it down.
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If you have the skill, then you can move as you age.
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There's nothing better than an educated actor - not only educated in his craft but educated in the world.
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I was different. I got beat up every day.
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Television has been really good to me in terms of the roles I've been able to get on TV as opposed to the roles I've gotten in film and in theater.
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Perhaps, despite my objections, the success of films like: 'The Help,' 'Django,' 'The Butler,' or '12 Years a Slave,' will further persuade Hollywood to widen its view and edit its erroneous perception of what a commercial black film can look like.
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I think the greatest lesson that power has to teach us is, once you've had it, once you are a part of it, you're never free.
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Dick Gregory used every syllable, every metaphor, every joke, every march, every incarceration, every hour of his life, to embarrass this country into providing a more perfect, perfect union.
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If we're still talking about the same thing 40 or 50 years later, then that means we're not doing anything about it.
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I entered Hofstra University as a psychology major.
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Hollywood has successfully produced many films framed by anti-racist or pro-integrationist story lines. I'm going to guess that since 'Gone With The Wind,' Hollywood realized films about racism and segregation pull at the heartstrings of everyone and hopefully serve to purge a sense of guilt.
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I think it might be interesting to give an Emmy to an outstanding background performance in either a comedy or drama series.
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When I started, black people were either victims or they were the perpetrators; they were the boogie men who jumped out of the bushes and did terrible things to you.
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I was maybe one of two black kids in the drama department. It was, 'Well, you can't play this role because that guy has a white girlfriend or a white cousin or whatever.'
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I think the responsibility that any actor has is to bring some truth to the work.
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Without mentioning any names, there was a film that was being done, and I ran into the producer on the plane. It was a book that I really, really loved, and I said, 'I'd love to be a part of this.' And they made it clear that that was not going to be possible - for no particular reason other than that there was just no part for a black person.