Joe Morton Quotes
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I think it talks about that there needs to be some proactive attack against drugs infiltrating our culture.
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I came into the industry at a time when there weren't a lot of choices to what you could do.
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When I started, black people were either victims or they were the perpetrators; they were the boogie men who jumped out of the bushes and did terrible things to you.
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I don't think you can play a villain with a negative point of view.
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I was different. I got beat up every day.
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I think the greatest lesson that power has to teach us is, once you've had it, once you are a part of it, you're never free.
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When I started off many years ago, I made a determination that there were certain roles I didn't want to play.
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If you have the skill, then you can move as you age.
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It's funny: We have so many shows and so many channels and so many things to occupy people as entertainment, especially with a show like 'Scandal,' which is clearly a hit, with a lot of heat around it - but every once in a while, people will say, 'What are you doing?' and I'll say 'Scandal,' and they'll have no idea what I'm talking about.
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The argument for '12 Years a Slave' was that - yes, it's a beautiful film. Beautifully shot, beautifully acted. It's a real story, and these stories should be told. The problem is, if they're the only stories being told, then it makes Americans of African descent - it puts them into that victim category. And that was my problem with the movie.
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Because of 'Terminator 2,' you get not pigeonholed but circled as one of those guys who can understand their way through a movie like that and hold it down.
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Perhaps, despite my objections, the success of films like: 'The Help,' 'Django,' 'The Butler,' or '12 Years a Slave,' will further persuade Hollywood to widen its view and edit its erroneous perception of what a commercial black film can look like.
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Dick Gregory used every syllable, every metaphor, every joke, every march, every incarceration, every hour of his life, to embarrass this country into providing a more perfect, perfect union.
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I think that, unfortunately, it appears that Donald Trump is trampling all over the Constitution.
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I love doing movies but I loved doing theatre just as much.
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I entered Hofstra University as a psychology major.
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There's nothing better than an educated actor - not only educated in his craft but educated in the world.
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Most of my career I purposely spent doing good guys.
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If we're still talking about the same thing 40 or 50 years later, then that means we're not doing anything about it.
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I was maybe one of two black kids in the drama department. It was, 'Well, you can't play this role because that guy has a white girlfriend or a white cousin or whatever.'
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With my background, I came out of the theater.
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Without mentioning any names, there was a film that was being done, and I ran into the producer on the plane. It was a book that I really, really loved, and I said, 'I'd love to be a part of this.' And they made it clear that that was not going to be possible - for no particular reason other than that there was just no part for a black person.
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Hollywood has successfully produced many films framed by anti-racist or pro-integrationist story lines. I'm going to guess that since 'Gone With The Wind,' Hollywood realized films about racism and segregation pull at the heartstrings of everyone and hopefully serve to purge a sense of guilt.
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In the 1980s, there was no category to stick me in. 'He sounds too smart' is what I was hearing. I realized that I had to become a member of the school of what I call 'ugly acting.' Which meant I wanted to do what Dustin Hoffman did very successfully: to play character roles, but lead character roles.