Max Richter Quotes
That childhood passion and involvement and being really submerged in something, that's the kind of state I'm looking for all the time - and preserving that sense of magical possibility and wonder that children have. I think, for artists, if you can stay connected to that, then you are in a good place.
Quotes to Explore
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President Reagan stood for conservative principles in a way that brought people together.
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We are not accepting that countries just get to sit back and let the United States meet threats that are going to roost in their worlds just as easily as they are in ours.
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I dislike society because conversation exhausts my brain more than silent thought - again, I cannot hold my water long enough for a prolonged conversation.
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I was being groomed to be a tennis player for sure. My grandparents and parents realised I had a natural athletic ability and if I was forced to do it, I could probably do well. But all I wanted was to play pretend.
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I think it's always easy to be sympathetic to parts of the government in detail; in their concrete manifestations. Because obviously, we don't have government for no reason.
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I've been lucky enough to have fulfilled so many ambitions, and gone way past anything I ever thought I would do. I could never have imagined the career that I've had with the Foo Fighters - playing stadiums and having songs on the radio. It's amazing, and my goal is really just to carry on playing.
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When you grow up on a dairy farm, cows don't take a day off. So you work every day and my dad always said, 'No one can outwork you.'
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Ranger fans, they're expecting you to win, so you really want to show up every day.
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When I graduated, I was director of my school's sketch comedy group, and I knew that I wanted to be writing and performing my own sketch comedy. It kind of made me want to do my own one-person sketch group.
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When I'm on stage, it's like a different world ... me connecting with the audience. It's a surreal experience.
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I'll tell you something: my dad was a nuclear engineer and he was really bright, and I've always said that because of negotiating at such a young age with my dad, it was really such a gift because I could then negotiate with very difficult personalities - and not end up being the scapegoat. I learned to really pick and choose my battles.
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The '90s are really the 'Sex and the City' woman, and I think, right now, the new contemporary woman is the 'Lipstick Jungle' woman.
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I'm not a good writer. It takes me a long time to get there. I write and then rewrite and revise and do it over and over until I'm satisfied.
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No person is just one particular emotion.
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Old Etonians are the most charming people in the world. It's not just the analytic ability and the great education; there is a really easy confidence to them that draws people to them and makes their passage though the world a little easier.
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We must expect to fail... but fail in a learning posture, determined no to repeat the mistakes, and to maximize the benefits from what is learned in the process.
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I tend to not watch things that are current. And then if everybody swears it's amazing then I'll like watch the whole series in a weekend.
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Girls are going to school again in Swat Valley. And that is great.
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I make a timeless music. I think I've made my mark as a lyricist and as an innovator and as a tastemaker.
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I am not only the person who wrote and sold a novel while raising a houseful of biological and foster children; I am also the person who wrote a horrific young adult novel that never sold and gave up on a foster child I couldn't handle - an experience that still haunts me.
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Man is not the enemy here, but the fellow victim.
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I have a fantastic respect for Liverpool the city, club and the fans, from the time I spent there. That respect will always be there.
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One of the things I like about a character: I always think it's fascinating when a character can turn on a dime and go from one emotion to another. I like watching that.
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That childhood passion and involvement and being really submerged in something, that's the kind of state I'm looking for all the time - and preserving that sense of magical possibility and wonder that children have. I think, for artists, if you can stay connected to that, then you are in a good place.
