Max Richter Quotes
'Memoryhouse' came out, and there wasn't a single review and zero sales, and after about a year, it was deleted. So I recorded The 'Blue Notebooks' on a little indie label, and my attitude was, 'Well, if nobody is listening, I might as well keep doing what I'm doing'.
Quotes to Explore
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The question we all face is what sort of culture we will live in for the rest of our lives and then hand on to the next generation - one that embraces these most basic of values, or one that collapses because of their absence.
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Not all my work features black actors. I mean, it's funny: someone was reading back to me all the languages that have appeared in my films, whether they were shorts or features. They span Arabic, French, Mandarin, Cantonese - all kinds of languages. I think it's really cool.
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A career in showbiz is like a distance run. You have to have patience and pace yourself.
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You don't boo at a Kemp rally. You boo at football games.
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It takes me about a week and a half to really analyze a game - play by play.
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In a modern loft, you can't just fill a space with furniture. Each piece has to be perfect.
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If you're paralyzing your face in your 20s and 30s, you're not exercising the muscles that give it strength. My feeling is, laugh, cry, move your face.
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You don't want people thinking you're a cheat just because you're really fast and have broken the world record by a second.
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I want to be remembered as a great athlete. As a boxing champion.
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I try to be this kind of player: the type who does something whenever he gets the ball. Sometimes in the past, I've gone through games where I've not touched the ball for 20 or 30 minutes.
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We're all interconnected. For example, a simple lack of fresh water can lead to population dislocation, which can lead to political radicalization, which can lead to great pressure on the states that receive refugees because of a migrating population.
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I just want to say, 'Go work! It doesn't matter what it is. Work begets work. Just go!'
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Every single one of the guys that I've written songs about has been tracked down on MySpace by my fans.
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I'm working on a bunch of things with my daughter Emily. In some ways, she's a smarter and better editor than I am.
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Not the fruit of experience, but experience itself, is the end.
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You never lose by loving. You always lose by holding back.
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I urge researchers to make use of the opportunities that are available to them and to do all they can to fulfill the promise that stem cell research offers.
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I often feel that life is about to begin, only to realize it is almost over.
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Today is either the beginning of the end, or the end of the beginning. Today we are making history.
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One of the things, none of the distributions have ever done right is application packaging ... making binaries for linux desktop applications is a major fucking pain in the ass.
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I was the kid growing up who would play with G.I. Joes in a pink dress and then run off to play with my Barbies. It doesn't mean that I'm less girly, it just means that I have this other side of me. It's kinda cool to be a little bit of both, I think.
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I no longer get into stupid thought wormholes about identity and stuff. At one time, I did have some impostor syndrome about acting, but then I remembered I've been doing this since I was little, actually.
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My mother and I were born in Mieres, Asturias, the most beautiful region you'll ever see in Europe and the home of Cabrales, a great blue cheese made in the Asturian mountains. When I was young, we moved to Barcelona. Whenever my mother was homesick for Asturias, she'd eat a little piece of Cabrales to bring her closer to Mieres.
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'Memoryhouse' came out, and there wasn't a single review and zero sales, and after about a year, it was deleted. So I recorded The 'Blue Notebooks' on a little indie label, and my attitude was, 'Well, if nobody is listening, I might as well keep doing what I'm doing'.
