Max Richter Quotes
'Memoryhouse' came out, and there wasn't a single review and zero sales, and after about a year, it was deleted. So I recorded The 'Blue Notebooks' on a little indie label, and my attitude was, 'Well, if nobody is listening, I might as well keep doing what I'm doing'.
Quotes to Explore
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The question we all face is what sort of culture we will live in for the rest of our lives and then hand on to the next generation - one that embraces these most basic of values, or one that collapses because of their absence.
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Not all my work features black actors. I mean, it's funny: someone was reading back to me all the languages that have appeared in my films, whether they were shorts or features. They span Arabic, French, Mandarin, Cantonese - all kinds of languages. I think it's really cool.
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A career in showbiz is like a distance run. You have to have patience and pace yourself.
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You don't boo at a Kemp rally. You boo at football games.
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It takes me about a week and a half to really analyze a game - play by play.
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In a modern loft, you can't just fill a space with furniture. Each piece has to be perfect.
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If you're paralyzing your face in your 20s and 30s, you're not exercising the muscles that give it strength. My feeling is, laugh, cry, move your face.
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You don't want people thinking you're a cheat just because you're really fast and have broken the world record by a second.
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I want to be remembered as a great athlete. As a boxing champion.
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I try to be this kind of player: the type who does something whenever he gets the ball. Sometimes in the past, I've gone through games where I've not touched the ball for 20 or 30 minutes.
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We're all interconnected. For example, a simple lack of fresh water can lead to population dislocation, which can lead to political radicalization, which can lead to great pressure on the states that receive refugees because of a migrating population.
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I just want to say, 'Go work! It doesn't matter what it is. Work begets work. Just go!'
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Every single one of the guys that I've written songs about has been tracked down on MySpace by my fans.
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I'm working on a bunch of things with my daughter Emily. In some ways, she's a smarter and better editor than I am.
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Not the fruit of experience, but experience itself, is the end.
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You never lose by loving. You always lose by holding back.
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I urge researchers to make use of the opportunities that are available to them and to do all they can to fulfill the promise that stem cell research offers.
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I often feel that life is about to begin, only to realize it is almost over.
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I had no interest in fashion when I was younger. I was such a tomboy.
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In the process of burning out these confusions, we discover enlightenment. If the process were otherwise, the awakened state of mind would be a product dependent upon cause and effect and therefore liable to dissolution. Anything which is created must, sooner or later, die. If enlightenment were created in such a way, there would always be a possibility of ego reasserting itself, causing a return to the confused state. Enlightenment is permanent because we have not produced it; we have merely discovered it.
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I was voted the most beautiful girl in the world in 1958, and courted by every young, available man in Los Angeles, most of whom I didn't go out with, by the way.
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You look at science fiction and look how often it talks about being alien, being alienated about the other. Look at the number of blue people - 'Avatar,' I'm looking at you. And it is now easier to find people of color in science-fiction literature and media, but the issues of representation are still really, really troubling.
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The good man, though a slave, is free; the wicked, though he reigns, is a slave, and not the slave of a single man, but- what is worse - the slave of as many masters as he has vices.
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'Memoryhouse' came out, and there wasn't a single review and zero sales, and after about a year, it was deleted. So I recorded The 'Blue Notebooks' on a little indie label, and my attitude was, 'Well, if nobody is listening, I might as well keep doing what I'm doing'.
