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When we started Allman Brothers, Atlantic Records kept telling us there was no way it was going anywhere.
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After we did the last Allman Brothers Band show, my wife and I just packed up and went to France for pretty much all of 2015, and I just got bored; I got the itch. I wanna play.
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There will always be kids in every generation that understand that Lady Gaga is not music, it's theater.
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One that really caught me was Joe Morello. He was the first drummer I ever saw that could do a roll with one hand. He would turn his hand over and use his fingertips to get the stick bouncing. He could sit there with his right hand doing stuff on the cymbals and tom-toms while he was doing a roll with his left on the snare drum.
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When we're playing, when we're really, really going... you're just in the moment. You're not thinking about yesterday, tomorrow, or anything else. The brain gets out of the way. Your body just does what it knows how to do, and it's just... it's like a religion.
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I take my laptop with me on the road. When I come home, I log onto AOL, go to the Web site, and answer questions.
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We went on to become the No. 1 band in the country for three or four years. And that was probably the worst thing that could have happened to us.
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We've been lucky because quite a few young people keep coming to see us play. We couldn't tour as much as we do if we could only count on the baby boomers.
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The Allman Brothers 1969 to 1971... were all about... jumping off the cliff... Just taking music and being adventurous with it.
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Our first album was kind of simple, but it had that fire, that energy that we have to have.
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Ginger Baker was never my favorite, but he was part of the group Cream that opened the door to what we did. They were the first band to really get into improvisation. They were an absolute necessity to what came later.
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There obviously are a hell of a lot of people that love Lady Gaga. But to me, she's been the theatre of the absurd. And the more absurd it is, the bigger she got.
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I don't think we listened to any rock n' roll at all in the early days. It was Miles Davis and John Coltrane 95% of the time.
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When I play, I stare at the left hand of whoever is playing lead. And I get to know what people are playing well enough that when they start going somewhere, once they arrive, I'm already there.
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We would work up a tune that would make me learn a drum pattern I hadn't played before. In the early stages, the pattern wouldn't just fall into place, and I would start thinking about it. And the more I thought about it, the worse it would get.
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After being away from it for so long, it's really nice to go out and have 10- or 15,000 people show up and enjoy it. It leaves you with a very good feeling.
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I loathe and detest heavy metal.
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Eric Clapton has earned all of our respect. He is the greatest. He opened the doors for us. Without Cream, there is no Allman Brothers.
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I like some things other people don't like, and they like stuff I don't like.
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Once we started headlining at the Fillmore East, we were free to play all night, at least for the second set. 'Whipping Post' could get lengthy.
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When we started, it was so intense: it was like a religion. And when you played with Duane Allman, you either gave it your all or you got out.
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That was my first love growing up - classical orchestral music, especially Impressionism.
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We're a live band. It's what we do best.
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Back when Napster first came along, I started telling everybody Napster was like shooting yourself in the foot because you're stealing music. The record companies don't pay for us to make records - the bands do.