Geddy Lee Weinrib (Geddy Lee) Quotes
Quotes to Explore
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When I'm telling stories of my video game days, when I was a really hardcore MMO player, I played 'EverQuest' for two years and played 'World of Warcraft' and several other games for the last ten years or so... 95% of the stories I'll tell you are 'EverQuest.'
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I can't be a hypocrite as a coach because as a player that's what I wanted. I wanted feedback, I wanted communication from the boss. I showed up for work, you can yell at me if you want, but I want input. So that's the kind of coach I want to be.
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When you spend a lot of money on one player, you want him to prove himself, but the way football works, one day you can be good, the next you can be bad, and the next after that, you can be very bad. I have come to Manchester City to work very hard and to help my friends make Manchester City great.
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The excitement of the fans in Montreal, especially in the playoffs, I don't think you can get that anywhere else. For a hockey player, I kind of wish everyone could go through that and experience what it is to play there. It's very unique.
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I see myself not only as a football player, but an entertainer and icon.
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Sports in Indonesia aren't being supported by the government. The rewards you get as a young player don't match the effort you put in. I want to be different from other athletes, if not better, and I want to make something good out of my profile and help the younger players have opportunities.
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My drummer, bass player, and guitar player sing backgrounds. They play and sing. I can sing all the harmonies, but I can't do it alone.
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Of course I could have retired anytime. But retiring would drive me crazy.
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I'm a bass player from way back and Paul is a guitar player and we've been in many bands.
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If you ask any great player or great quarterback, there's a certain inner confidence that you're as good as anybody. But you can't say who is the absolute best. To be considered is special in itself.
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When you're younger and traveling and visiting new countries and cities, that stuff is exciting; it's flashy, it's shiny, but I always had this separation between who I was as a person and who I was as a player.
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The best player I ever played with was Dennis Johnson.
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Once you're a chess player, you spend a lot of time thinking about the game and you can't get it completely out of your head.
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One thing that did get me into a lot of different types of music was when I was very young, the local record store went out of business and they were selling off all the vinyl. I remember going in – I was probably 16 or 17 and I'd just gotten a record player as a present. It was like hitting the jackpot: all these records for $3 apiece.
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I cannot get myself interested in video games. I've been given video game players and they just sit there connected to my TVs gathering dust until eventually I unplug them so I can put in another special-region DVD player.
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I think - you know, I want to intimidate people when I'm on the field. I want people to be scared of me. That's just kind of the nature of who I am as a person and player. But I also know that you have to be emotional. You have to be in touch with your feelings. I think that's important.
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The fact is most computer roleplaying games that offer a zillion highly specialized skills end up with nine-tenths of a zillion skills that every player quickly realizes aren't worth the experience points to buy.
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I'm not the first player to have their home Grand Slam and not perform. There have been a few Australians and French players, you name it. It's a tough thing. But it is one of those things. Would I rather have a Grand Slam in my country than not? I would.
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I guess 'The Player' was a pretty good L.A. movie. And 'Chinatown.' Was there ever a better L.A. movie about a certain period in L.A.? That was terrific.
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There's so much emphasis on the economic might of China, of Southeast Asia, Asian 'Super Tigers' and things like that. But nobody was really looking from the perspective of a family story, of these individuals.
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That’s the way it was when you loved someone. You took them everywhere you went—whether they were alive or not.
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There's just no way to stop a movement in popular culture. It's going to happen, with or without you. There's absolutely no way to stop that train.
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Nobody would say the cowshed was heaven and nobody would say the inhuman torture of so many victims be called a revolution of the proletariat. ... A museum should be established to remind China of the follies and disasters that had fallen from 1966 to 1976. We cannot forget what had happened and history should not repeat itself.
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So, I really don't consider myself a fabulous keyboard player.
