Barry White Quotes
Quotes to Explore
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It's always a live experience - anything that happens around you. It's so easy to just put it to a song.
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I used to watch 'Top of the Pops' when I was a kid and say 'Yeah!' or 'Boo!' at every single song. So there was nothing in the middle. You brutally put it on one side or another.
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I'm not a very big fan of 'Slumdog Millionaire.' I think it's visually brilliant. But I have problems with the story line. I find the storyline unconvincing.
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I think my mission, if I could call it that, as a storyteller is to try and find ways to show how similar we are and not how different we are.
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There's something different that happens when you're writing a song for your own record that you know you're going to sing.
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Do not wish to be anything but what you are, and try to be that perfectly.
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I have to think of moderation, which is not a word that's in my vocabulary. But I try.
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Writers of fiction, when they begin, are more likely to try the short form.
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Honestly, there are so many things about structuring a story for film and telling a story for film that are really different from doing radio.
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Every time, I try to make something different.
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From the stage, I can reach a large audience, and you learn from being on stage how much a song reaches, what extent of the crowd a song can reach. I write in a way that can reach most of the audience, but I also wanted to have truly intimate moments as well, many intimate moments, more so than the big moments.
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I have breakups that I can credit to every song. In my twenties, I picked people who would create that dysfunction and drama, so I could draw upon it.
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As a writer, I had learned a lot on 'Margin Call' about embracing the weaknesses of a narrative and of a project. A story always has an inherent narrative weakness.
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Wayne and Drake, it takes them so long to do a song. I understand why, because they want it to be perfect. But I think I can do a perfect song in 10 minutes.
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My books are character-driven. They're not driven by the story.
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Just try to be happy. Unhappiness starts with wanting to be happier.
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I like connecting the abstract to the concrete. There's a tension in that. I believe the reader or listener should be able to enter the poem as a participant. So I try to get past resolving poems.
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When you're a standup comic, you get up and you try stuff, and you're always kind of seeing how far you can push things.
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Take a deep breath, listen to your favorite song and realize everything is gonna be okay, nothing is permanent.
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It's no use of talking unless people understand what you say.
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The thing you realize as you get older is that parents don't know what the Hell they're doing and neither will you when you get to be a parent.
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And so on.
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Clearly, children's charities struggle to find private sources of money to sustain their benevolent programs.
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I try to tell a story musically in a song.
