Carl Hiaasen Quotes
Quotes to Explore
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Not to oversimplify it, somebody once said a good rule of thumb in interpreting a character is to find the good in the bad people that you portray and the bad in the good.
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The oldest books are only just out to those who have not read them.
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We want a story that starts out with an earthquake and works its way up to a climax.
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It's really about, oh come on, this guy wouldn't say that or he wouldn't do that, you know, it's about the characters, about the story, about the situation.
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I'm not averse to being a supporting character. I try to pick parts where I can add something.
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It's important for cinema to keep on evolving: for people, and not only teenagers, to be able to go to a movie that has huge epic scope but has an intellectual and real story to tell.
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I read books. Remember those? I read them, on paper.
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I'm not a very big fan of 'Slumdog Millionaire.' I think it's visually brilliant. But I have problems with the story line. I find the storyline unconvincing.
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Before 'Raman Raghav 2.0,' I played a criminal in 'Badlapur.' Though the character was innocent, he was not correctly interpreted by some sections of the audience.
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The test of character is having the ability to meet challenges.
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When you choose your friends, don't be short-changed by choosing personality over character.
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As an actor, I'm my own worst critic, but after awhile, really, when you watch 'Moonrise Kingdom', it's such a fantastic film that you sort of get sucked into the story, and then you kind of forget about everything else.
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You know, I'm from the South, and I wasn't interested in perpetuating a stereotypical southern character.
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I steer clear of books with ugly covers. And ones that are touted as 'sweeping,' 'tender' or 'universal.'
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There really isn't a story that you can't tell inside of it. It's very much a clearinghouse for anything that goes on in the world. So you're not at all limited.
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No matter where your lot may be cast, no power on earth can keep you from making a man of yourself, a superb character, a masterpiece.
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As a writer, I had learned a lot on 'Margin Call' about embracing the weaknesses of a narrative and of a project. A story always has an inherent narrative weakness.
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Profitability comes from loyalty, productivity, and having a character base from which to work.
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New York is a character, all on its own, and whenever you film there, it becomes part of the show. That's just the nature of being there.
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So just remember that this is the first sign of trouble- if books are banned, that means that things are going wrong.
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This is certainly not to excuse the violence that exists on TV and films and on the Internet. But the truth is that wherever you go in Europe, there are American films and TV shows that are just as popular as at home. And you don't have that sense of violence in any other place other than America.
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I'm compulsively on time. It drives me insane when people are late.
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I feel that education needs an overhaul - courses are obsolete and grades are on the way out.
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My books are character-driven. They're not driven by the story.
