J. C. Chandor Quotes
As a writer, I had learned a lot on 'Margin Call' about embracing the weaknesses of a narrative and of a project. A story always has an inherent narrative weakness.
Quotes to Explore
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You have to be un-comfortably comfortable in this business. There's always somebody else who wants what you have.
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I always watch the work I do.
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Of course watching a particularly exciting game or a wonderful contestant is always a joy.
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I always dreamed of being Maria in The Sound of Music.
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There's a part of me that's always charging ahead. I'm the curious kid, always going to the edge.
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When you're younger they always try to get you to do every ninny role that's going.
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Nature can always be more complicated than we imagine.
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I cannot always control what goes on outside. But I can always control what goes on inside.
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There's this idea of a star, and this person is very aloof and writes all the music, and they don't talk to anyone unless they go through the record label. And I always felt very uncomfortable about that.
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Since Madonna is positioned as always 'cooler than thou,' we all are primed for schadenfreude if something in her fabulous life goes amiss.
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90%, 100% are going there to hear the singing. The story is another thing. Nobody's interested in the story. Happiness is happiness.
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Sometimes the kids come up with better endings than the real story.
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This basic thing I always do: 'What happened between the character's birth, and page one of the script?' Anything that's not in the story, I'll fill in the blanks.
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We always go into a game to win.
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My first thought is always of light.
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I was also the romantic lead in The Boston Strangler - I was the only one that lived to tell the story - so I called myself the romantic lead.
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Instead of assuming that emotional intelligence is always useful, we need to think more carefully about where and when it matters.
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I always say the greats just get better.
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I'll never forget one morning I walked in and I had a hell of a bruise - it had been a difficult night the night before - and a client said to me, 'Good God, Vidal, what happened to your face?' And I said, 'Oh, nothing, madam, I just fell over a hairpin.'
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You can learn new things at any time in your life if you're willing to be a beginner. If you actually learn to like being a beginner, the whole world opens up to you.
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While experiencing painful feeling, he seeks delight in sensual pleasure. For what reason? Because the uninstructed worldling does not know of any escape from painful feeling other than sensual pleasure. When he seeks delight in sensual pleasure, the underlying tendency to lust for pleasant feeling lies behind this. He does not understand as it really is the origin and the passing away, the gratification, the danger, and the escape in the case of these feelings.
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I've had meetings with Fidel Castro. I've had meetings with Kim Il-Sung. I've had meetings with other dictators. I've met with the Butcher of Beijing. You know, I think it's important to hear, you know, each other's perspective.
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It's a very tricky relationship, the cinematographer and the director as a woman.
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As a writer, I had learned a lot on 'Margin Call' about embracing the weaknesses of a narrative and of a project. A story always has an inherent narrative weakness.
