Faye Dunaway Quotes
Quotes to Explore
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The lights go down, you hear the applause and you're up there, and then everything else is forgotten.
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The cutting room is where you discover the optimal length of the movie.
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You wouldn't have won if we'd beaten you.
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I believe politicians should always remain realistic.
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If you're famous, you're not free.
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You can only govern men by serving them. The rule is without exception.
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Always forgive your enemies - nothing annoys them so much.
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You break her heart, I'll break your neck.
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I love to watch 'Chopped,' 'Jeopardy,' and 'Breaking Bad.' You can't pass up that one. Oh! One other show I love to watch is 'Suburgatory.'
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Once you give up rights, they're not going to give them back.
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The most nurturing of directors can make you feel too comfortable, and you don't really push for that extra whatever.
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There's a reason you can still read Thucydides, and it still makes sense to you thousands of years later.
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Writers of fiction, when they begin, are more likely to try the short form.
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Working for a magazine, you have a boss; you are not free.
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Music is really nothing if you think about it - it only becomes something when somebody listens to it. And then it becomes uncontrollable.
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You can't get emotional about your work.
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I tried for years to get an agent because I was told you needed an agent. The agent-hunting process was grim indeed.
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When you write as a woman, there's this feeling there's going to be a softness.
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You can't try to be authentic. You either are or you aren't.
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I'm a spiritual person and a religious person. But for me, it's all a personal thing. I'm not someone who'll say, 'This is what I believe, and you should too!' It's more of an internal, quiet, grounded, fulfilling thing for me.
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Elvis was, at least the times I was around him, Elvis was a practical joker. He was always, had some little mischievous something going.
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The bowlers I respected or feared or rated were not the ones who gave me lip or stared at me or abused me. More the ones who, at any stage of the game, when had they had the ball in hand, they were going to be at me, and they were going to have the skill and the fitness and the ability to be aggressive.
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My motivation for being a good drummer was born out of fear, which, in a way, seems so antithetical to what art should be.
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When you're younger they always try to get you to do every ninny role that's going.
