Karin Slaughter Quotes
I never want to write a book just to tell a story. There is always something deeper going on.
Quotes to Explore
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It's really about, oh come on, this guy wouldn't say that or he wouldn't do that, you know, it's about the characters, about the story, about the situation.
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I want to do my hard dives really well, I want to see what my true potential in this sport really is. I want to grasp that.
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I don't believe in endorsing a product that you don't want to endorse.
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I get motivated by the fact people are following me, that they want a photo or say 'vamos' or 'Canelo.'
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This is how it has been since time began: If you want to make something really worthwhile and true, then you have to suffer for it.
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We could have gone with much bigger labels and more money, but we wanted to go with a company that is LA based, all in the same building, and really understands what the artists want.
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Mindsets, skills and leadership, experience and access, and critical consciousness - we need all four of these things for our students to be the leaders, people and citizens we want them to be.
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I've been quite fascinated by the relative insignificance of human existence, the shortness of life. We might as well be a letter in a word in a sentence on a page in a book in a library in a city in one country in this enormous universe! And that kind of fear and insignificance has kept me awake at night.
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This basic thing I always do: 'What happened between the character's birth, and page one of the script?' Anything that's not in the story, I'll fill in the blanks.
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People will turn their noses up at a sequel or that type of thing, but Pixar really works hard - if they're making a sequel - to make a sequel an original movie, to make it an original story.
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I feel nothing can push you till the time you want to get pushed.
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Every time I got 'Amazing Spider-Man' or 'Fantastic Four' or another book firmly on the rails, we got pulled into some big event book or crossover and it cost momentum and messed badly with the pacing and structure of the book.
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There are so many sounds I still want to make, so many things I haven't yet done.
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My parents would always say, 'It doesnt' matter if it's a guy picking up the garbage or the President of the United States, treat everybody as you would want to be treated.
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My audience has really become a very diverse group of people. It's not just 15-year-old girls. That's kind of what allows me to write from all the different places I want to write from.
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I have to write what I can write, and writing the text of a picture book is like walking a tightrope, if you ramble off... As my friend Julius Lester says, 'A picture book is the essence of an experience.'
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I wouldn't dream of working on something that didn't make my gut rumble and my heart want to explode.
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If we want to make a statement about a man's nature on the basis of his physiognomy, we must take everything into account; it is in his distress that a man is tested, for then his nature is revealed.
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'Tis the good reader that makes the good book; in every book he finds passages which seem confidences or asides hidden from all else and unmistakenly meant for his ear.
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I never read detective novels. I started out in graduate school writing a more serious book. Right around that time I read 'The Day of the Jackal' and 'The Exorcist'. I hadn't read a lot of commercial fiction, and I liked them.
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Now, being one who lived in the era of Obama, there are so many markers of improvement made. It's hard to be mindful of that, in the same way you're going, 'Oh everything's cool now!' and it isn't. But I try to be mindful of how much of an improvement there has been because that gives hope. You need hope. I need hope!
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Garde-toi, tant que tu vivras,De juger les gens sur la mine.
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Osama, yo Mama didn't raise you right. When you were young, she must have wrapped your turban too tight.
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I never want to write a book just to tell a story. There is always something deeper going on.
